by Alison Fairbrother ‧ RELEASE DATE: June 21, 2022
Sure, go ahead and pack this for your next long weekend—it’s fun! That said, it doesn’t really need to make the trip home.
Ellie’s beguiling, charismatic father may have had four children with three different women, but Ellie came first, literally and in his heart, too. When his perplexing bequest indicates otherwise, the 20-something reporter will use—and misuse—all her skills to uncover the truth.
It’s 2012, and 24-year-old Eleanor Adler is living her post-college, first-real-job best life. She’s in Washington, D.C., sharing a shambolic group home with roommates who clerk for federal judges and work at embassies and B-list agencies. She’s a junior reporter for Apogee, a news startup that exists to get clicks and save journalism. She’s seeing Lucas, a married 39-year-old think tanker, who takes her on dates to the Union Station food court and Maryland suburbs where they won’t be seen. Ellie’s hashtag-adulting takes a sudden and sad grown-up turn when her father unexpectedly drops dead in his Chesapeake Bay home. Although not exactly well-off, he was careful with his legacy, leaving each family member—third wife Colette; their son, Van; second-marriage daughters Sadie and Anna—a meaningful totem of his love. Except Ellie, who got a plastic gingerbread-man tie rack. It’s 100% true that said plastic tie rack is a rather flimsy MacGuffin on which to hang a plot, and the central-casting characters (size 12 Ellie doesn’t fit in and loves reading; attractive herbalist Colette visits a shaman) aren’t exactly compelling. It’s also true that they’re good enough company, especially when punctuated by sharp, spot-on observations of journalism (“They can comment after we publish”) and Washington life (“Sometimes it seemed as if people in their mid-twenties did all the work in D.C.”), informed by the author’s own decade reporting in the capital.
Sure, go ahead and pack this for your next long weekend—it’s fun! That said, it doesn’t really need to make the trip home.Pub Date: June 21, 2022
ISBN: 978-0-593-13429-0
Page Count: 288
Publisher: Random House
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Colleen Hoover ‧ RELEASE DATE: Oct. 18, 2022
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
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New York Times Bestseller
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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SEEN & HEARD
SEEN & HEARD
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