A unique book with more than a few profound philosophical moments that evoke peace and foster emotional healing.
Readers see the many faces of adult orphan grief in Garwood-Jones’ adult picture book.
The five stages of grief, as conceptualized by Elisabeth Kübler-Ross, get an expansive remix, complete with renderings of subjects in the throes of various distilled moments of coping mechanism flux. In this cleverly conceived book, faithfully nuanced caricatures, or stagers (a term taken from Shakespearean theater protocol and a play on Kübler-Ross’ stages), mirror the ways grief manifests in our actions across 41 chapters with titles that are sometimes familiar (“The Shell Shocked,” “The Pity Partiers,” “The Addicted”) and other times unexpected (“The Dog Moms,” “The Closeted,” “The Narcissists”). Over a dozen stand-alone quotes on grief by noted people are interspersed between, as well. An eggplant-purple color scheme is used purposefully to unify the sweeping range of emotions between disparate poles of intensity, associated with red, and calm, associated with blue. To “capture how we are coping, moment to moment, year after year, after a big loss” is the author’s mission statement, and for the most part, it is easy to draw a connection between the coping mechanism attributed to the various stagers. In some chapters, however, the correlation between the subject as portrayed in the accompanying text and the person’s stage of grief is tenuous. A chapter entitled “The Dicks,” for instance, includes a portrait of Donald Trump, Vladimir Putin, and two other men, all espousing questionable ideologies. They may well be orphaned adults, but their personalities can’t be boiled down to a reaction to grief. Midway through, a quote by writer and actor Amy Sedaris, “Assume everyone is grieving,” reorients readers in light of such less apparent examples of how an adult orphan might be grappling with loss. Finding oneself, family, friends, or others within these pages makes it a perfectly contemplative coping tool.
A unique book with more than a few profound philosophical moments that evoke peace and foster emotional healing.Pub Date: May 10, 2024
ISBN: 9781738267422
Page Count: 280
Publisher: Pen Jar Productions
Review Posted Online: Aug. 1, 2024
Kirkus Reviews Issue: Oct. 15, 2024
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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