An old English folktale gets a Texas makeover. Desert Rose is one plucky Texan pig farmer. When she finds a gold nugget, she uses it to procure a pig. She picks a pig sure to win first prize at the state fair. The problem is that she picks a picky pig, a highfalutin’ hog that will not drink up the water in the creek so they can make their way to the fair. She pleads for help from many desert animals, but none will help her until she strikes a bargain with an ambitious armadillo with attitude. Hooooooeeeeeey! This partic’lar offering combines regional dialogue and a sophisticated vocabulary in the name of tongue-twisting, folksy fun. Graves’s rich and vibrant acrylic illustrations add to the charm by giving all the characters, human and animal alike, plenty of personality. The plot, lifted nearly lock, stock and barrel from Joseph Jacobs’s “The Old Woman and the Pig,” is pretty bare bones, but readers will be so focused on the prose and on plucky Desert Rose, they probably won’t notice. (Picture book. 6-10)
Pub Date: Sept. 1, 2009
ISBN: 978-0-8027-9883-6
Page Count: 32
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2009
At ``Step 2'' in the useful ``Step into Reading'' series: an admirably clear, well-balanced presentation that centers on wolves' habits and pack structure. Milton also addresses their endangered status, as well as their place in fantasy, folklore, and the popular imagination. Attractive realistic watercolors on almost every page. Top-notch: concise, but remarkably extensive in its coverage. A real bargain. (Nonfiction/Easy reader. 6-10)
Pub Date: April 1, 1992
ISBN: 0-679-91052-2
Page Count: 48
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
BOOK REVIEW
Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-618-23848-4
Page Count: 96
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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