A tepid affair by an author capable of incandescence.
A once-happy marriage jumps the tracks when a charismatic writer accepts a fellowship at the small college in upstate New York where both husband and wife work.
Jane and Alan Mackenzie are a model couple. He is a 51-year-old professor of architecture and expert on Victorian-era follies (the faux ruins of stone towers and hermitages Britain’s landed gentry built to enhance their estates); she, 11 years younger, is a quietly in-charge college bureaucrat who runs a program for visiting scholars. Told in alternating chapters from the perspective of husband and wife, the novel charts the disintegration of their marriage, which initially begins to fray when a minor injury on a volleyball court—Alan admits he was showing off for the younger faculty—segues into chronic back pain. Their home life becomes a hellish stand-off between need and resentment. While Jane is stepping and fetching for her husband in her off hours—prescriptions for pain killers, packs of ice, heating pads, more pillows—her day job as administrator is transformed by the arrival of Delia Delaney, renowned writer and unrepentant id-on-wheels. Only Delia’s long-suffering husband Henry knows how demanding she can be: She needs a sofa for her office. Less light. Fewer visitors. A deadbolt on her door. Silence! Jane and Henry find they are on common ground as helpmates—and commiserate with one another, complicating Jane’s self-image as a “good” person. Alan and Delia also discern they have much in common. Delia, who suffers from migraines, helps Alan own his pain, find his inner artist and resurrect his sexuality. Pulitzer Prize–winner Lurie (The Last Resort, 1998, etc.) is a keen observer of consciences in conflict. There are passages here (though too few) that remind the reader of her considerable artistic authority. But the characters rarely act outside selfish motives, and in the end, who cares who ends up with whom? They all deserve each other.
A tepid affair by an author capable of incandescence.Pub Date: Oct. 10, 2005
ISBN: 0-670-03439-8
Page Count: 240
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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