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TELEPHONE OF THE TREE

Raw and sad but lit with occasional glints of humor and ending, as it should, on a rising note.

The sudden loss of her closest friend leaves a child clinging desperately to memories and connections.

Deep in denial, Ayla is sure that though her lifelong bestie “went away,” Kiri (who used they/them pronouns) will be back in time for their 11th birthday. But, as gradually becomes clear, “went away” means more than just a temporary absence. Cast in half-page prose poems, this grief journal sensitively tracks Ayla’s hard progress from “Kiri left” to an acknowledgment of what really happened to Kiri and, past that, to a tentative understanding that Kiri will always be present in the negative spaces that, as in a drawing, make everything else “full of color and shape and life.” Rather than trot in a therapist or some other mouthpiece for wise counseling, the author gives her protagonist subtler (and more believably effective) help reaching that insight—most notably parents who give her space rather than unwanted advice, and her grandfather’s old telephone. Placed in the tree that was planted at her birth, the phone draws passersby to make therapeutic “calls” to missed family members, including (by one 5-year-old scene stealer) a beloved deceased pet. Readers feeling Ayla’s profound sense of loss will be relieved when she finds a way to live with it. Physical descriptions are minimal, but hints in the text suggest that Ayla and her family are people of color.

Raw and sad but lit with occasional glints of humor and ending, as it should, on a rising note. (Fiction. 10-12)

Pub Date: May 7, 2024

ISBN: 9780593698457

Page Count: 208

Publisher: Rocky Pond Books/Penguin

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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MY LIFE AS A POTATO

On equal footing with a garden-variety potato.

The new kid in school endures becoming the school mascot.

Ben Hardy has never cared for potatoes, and this distaste has become a barrier to adjusting to life in his new Idaho town. His school’s mascot is the Spud, and after a series of misfortunes, Ben is enlisted to don the potato costume and cheer on his school’s team. Ben balances his duties as a life-sized potato against his desperate desire to hide the fact that he’s the dork in the suit. After all, his cute new crush, Jayla, wouldn’t be too impressed to discover Ben’s secret. The ensuing novel is a fairly boilerplate middle–grade narrative: snarky tween protagonist, the crush that isn’t quite what she seems, and a pair of best friends that have more going on than our hero initially believes. The author keeps the novel moving quickly, pushing forward with witty asides and narrative momentum so fast that readers won’t really mind that the plot’s spine is one they’ve encountered many times before. Once finished, readers will feel little resonance and move on to the next book in their to-read piles, but in the moment the novel is pleasant enough. Ben, Jayla, and Ben’s friend Hunter are white while Ellie, Ben’s other good pal, is Latina.

On equal footing with a garden-variety potato. (Fiction. 10-12)

Pub Date: March 24, 2020

ISBN: 978-0-593-11866-5

Page Count: 272

Publisher: Random House

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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GHOST GIRL

A didactic blueprint disguised as a supernatural treasure map.

A girl who delights in the macabre harnesses her inherited supernatural ability.

It’s not just her stark white hair that makes 11-year-old Zee Puckett stand out in nowheresville Knobb’s Ferry. She’s a storyteller, a Mary Shelley fangirl, and is being raised by her 21-year-old high school dropout sister while their father looks for work upstate (cue the wayward glances from the affluent demography). Don’t pity her, because Zee doesn’t acquiesce to snobbery, bullying, or pretty much anything that confronts her. But a dog with bleeding eyes in a cemetery gives her pause—momentarily—because the beast is just the tip of the wicked that has this way come to town. Time to get some help from ghosts. The creepy supernatural current continues throughout, intermingled with very real forays into bullying (Zee won’t stand for it or for the notion that good girls need to act nice), body positivity, socio-economic status and social hierarchy, and mental health. This debut from a promising writer involves a navigation of caste systems, self-esteem, and villainy that exists in an interesting world with intriguing characters, but they receive a flat, two-dimensional treatment that ultimately makes the book feel like one is learning a ho-hum lesson in morality. Zee is presumably White (as is her rich-girl nemesis–cum-comrade, Nellie). Her best friend, Elijah, is cued as Black. Warning: this just might spur frenzied requests for Frankenstein.

A didactic blueprint disguised as a supernatural treasure map. (Supernatural. 10-12)

Pub Date: Aug. 10, 2021

ISBN: 978-0-06-304460-9

Page Count: 288

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: June 10, 2021

Kirkus Reviews Issue: July 1, 2021

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