by Alison McGhee ; illustrated by Harry Bliss ‧ RELEASE DATE: Aug. 5, 2014
The contrast between the sister’s understanding and depicted reality is not enough to maintain this 32-page joke.
In the companion title to A Very Brave Witch (2006), the gutsy, green-skinned girl hopes to teach her little sister to be courageous as well.
McGhee positions the older, unnamed witch girl as narrator, reacting to events with a rather smug superiority. She wants Witchling to “study the humans and learn their mysterious ways,” but at the sight and then taste of candy, Witchling’s reaction is “yum” instead of the prescribed “yuck.” At first the older sister is proud of the little one’s bravery, but readers will see that all Witchling’s developed is a sweet tooth. Parents can relate! Misadventures follow as Witchling takes off on a broom to participate in Halloween trick-or-treating. Bliss infuses humor into his watercolor-and-ink scenes by including an anxious yellow cat who interjects “Holy catnip” and “Holy whiskers” in thought bubbles. When Witchling ends up with an overflowing, too-heavy hat full of candy, her older sister swoops in. But the extra weight is too much for the broom, and Witchling must dump out her great haul to the delight of the humans below. Although well-intentioned and not without charming moments, the book lacks a punch in the ending. The older witch is proud of her sister, but it is unclear for what. Taking off on her own?
The contrast between the sister’s understanding and depicted reality is not enough to maintain this 32-page joke. (Picture book. 4-7)Pub Date: Aug. 5, 2014
ISBN: 978-1-4424-78336
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Christina Perri ; illustrated by Joy Hwang Ruiz ‧ RELEASE DATE: April 1, 2025
A sweet notion that falls flat.
A hit song reimagined as a book about parental love.
Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.
A sweet notion that falls flat. (Picture book. 4-7)Pub Date: April 1, 2025
ISBN: 9780593622599
Page Count: 32
Publisher: Viking
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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