Mommy sometimes calls her daughter little mouse, which amuses the spirited child because her self-perception is that she’s...
Murray captures a young girl’s changing moods—from feeling big and bold to little and cuddly—in this playful, empathetic story.
Mommy sometimes calls her daughter little mouse, which amuses the spirited child because her self-perception is that she’s strong as an ox and brave as a lion and that she can howl like a wolf. But when bedtime nears and the sprightly child gets sleepy, she is more than happy to curl up in her mother’s arms and be that little mouse. Friendly animals populate both the pages and the girl’s imagination as the artist implies similes: The protagonist stomps in front of a bear, waddles beside a penguin and trumpets with an elephant. Attractive backgrounds, done in a pleasing pastel palette, showcase Murray’s textile-design training. However, the artist’s digital work, done to look like the gouache illustrations of a bygone era, lack the depth and richness classic illustrators like Richard Scarry, Gyo Fujikawa or Mary Blair offered. As with so much digital art, the computer here produces a certain feeling of sameness in the illustrations (the child’s face is depicted in only profile or full, frontal view, for instance). Despite this, it is a charming bedtime tale, accessible and winsome and a delight for little readers anytime. Youngsters will clamor for more as they climb into a lap and ask to also be called their mommy’s little mouse. (Picture book. 3-6)Pub Date: June 18, 2013
ISBN: 978-1-4231-4330-7
Page Count: 32
Publisher: Disney-Hyperion
Review Posted Online: March 19, 2013
Kirkus Reviews Issue: April 15, 2013
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
SEEN & HEARD
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