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TAMPA

A taxing attempt to penetrate the mind of female child molesters with grimy, mundane results.

A middle school teacher in Tampa, Fla., goes to outrageous lengths to hide her voracious sexual appetite for adolescent boys.

Nutting certainly brought dark overtones to her story collection Unclean Jobs for Women and Girls (2010), but even that auspicious debut pales next to the unclean psyche at the heart of her first novel. In a story that makes Nicholson Baker’s work look hygienic by comparison, Nutting unleashes a devious temptress whose acts of deception are as all-consuming as her incessant masturbatory frenzy. Our narrator, Celeste Price, looks absolutely harmless on the surface. She’s married to a rich suburban police officer, drives a hot car, and her looks could cause car wrecks. Unfortunately for her, Celeste is also deeply, unfixably broken. She says that the loss of her virginity at age 14 imprinted on her, and she has been working unceasingly as a student teacher to get to the mother lode: a gig as a full-time teacher of eighth-grade boys. In her first year, she obsesses over her chosen target, young Jack Patrick, on whom she ruminates in the most illustrative fashion. “Something in his chin-length blond hair, in the diminutive leanness of his chest, refined for me just what it was about the particular subset of this age group that I found entrancing,” Celeste confesses. “He was at the very last link of androgyny that puberty would permit him: undeniably male but not man.” Once she convinces Jack to give in, Celeste performs every salacious, graphic sexual act under the sun—almost as if she is committing these brazen acts on him and not with him. She even starts sleeping with her lover’s father just to cover her tracks. For decades, transgressive fiction has traditionally been grim, male and graphic. For those few voices asking why there aren’t more women working in this swamp, this one’s for you.

A taxing attempt to penetrate the mind of female child molesters with grimy, mundane results.

Pub Date: July 2, 2013

ISBN: 978-0-06-228054-1

Page Count: 256

Publisher: Ecco/HarperCollins

Review Posted Online: March 10, 2013

Kirkus Reviews Issue: April 1, 2013

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NORMAL PEOPLE

Absolutely enthralling. Read it.

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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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THE BLUEST EYE

"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.

Pub Date: Oct. 29, 1970

ISBN: 0375411550

Page Count: -

Publisher: Holt Rinehart & Winston

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: Oct. 1, 1970

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