by Allegra Kent ; illustrated by Robin Preiss Glasser ‧ RELEASE DATE: Oct. 19, 2021
Perhaps best enjoyed by grandmothers.
A little girl’s visit with her grandmother is filled with dancing from the moment the door opens at her New York City apartment.
A former prima ballerina, Grand Jeté passes her love of ballet to her granddaughter as they arabesque to make lunch and plié before eating. Then they do their hair and makeup, topping it off with their special holiday outfits. Together they visit Grand Jeté’s friends backstage at Lincoln Center. Finally, they take their seats and the curtain rises on The Nutcracker. Throughout the performance, Grand Jeté fondly remembers when she used to dance the role of the Sugar Plum Fairy. When the curtain closes, the duo waltzes away, Grand Jeté telling the little girl that she too could be a ballerina one day. Written by a former prima ballerina, this seasonal book puts the emphasis on the grandmother. Although the little girl narrates the story, it is Grand Jeté who experiences the emotional arc. The brief text moves the story along, only occasionally stumbling during transitions. The detailed illustrations, featuring the New York City Ballet’s Nutcracker costumes and sets, are joyous and bubbly. Although there is a handful of diverse characters in the background, nearly all humans present White, including the main characters. Families preparing to see The Nutcracker for the first time may appreciate the very brief summary of the ballet included within the story. (This book was reviewed digitally.)
Perhaps best enjoyed by grandmothers. (glossary, author’s note) (Picture book. 3-6)Pub Date: Oct. 19, 2021
ISBN: 978-0-06-239202-2
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Alastair Heim ; illustrated by Aristides Ruiz ‧ RELEASE DATE: Sept. 5, 2023
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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by Alastair Heim ; illustrated by Michelle Tran
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Jan. 2, 2024
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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