by Allen C. Guelzo ‧ RELEASE DATE: May 1, 2018
Essential reading for the historically minded in a time of ongoing struggle for civil rights.
Eminent Civil War historian Guelzo examines the many reasons the Reconstruction era, “the ugly duckling of American history,” ended in failure.
Reconstruction, the brainchild of Abraham Lincoln and carried out—or not—by successors Andrew Johnson and Ulysses S. Grant, was meant to rebuild the rebellious Southern states and reincorporate them into the Union while altering their political structure to allow for the suffrage and citizens’ rights of former slaves. From 1865 to 1877, that federal project ground down before achieving its ambitions, though parts were put in place. As Guelzo (Director, Civil War Era Studies/Gettysburg Coll.; Redeeming the Great Emancipator, 2016, etc.) notes, there’s something in Reconstruction for nearly everyone to hate but also something powerful by way of an object lesson: Much of the South’s “Lost Cause” myth was born in the time, as a pointed morality tale in resisting a tyranny in which whites and not blacks were disenfranchised and the extraordinary levels of graft and corruption allowed do-gooders on all sides to point to the doomed effort with I-told-you-so smugness. For all that, Reconstruction had to grapple with large issues: Were the states formerly in rebellion still states? Who was responsible for paying Confederate debts? In the end, almost everyone concerned with the enterprise failed to press Reconstruction to its presumed end. Consequently, former slaveholders were restored to positions of power and influence that in turn subjected former slaves to peonage, which, as one former slave put it, “is not the condition of really freemen.” As seems so often the case in American history, African-Americans emerge the losers in Guelzo’s narrative. As he writes, it was not just property and economic freedom that fled them, but “what Southern blacks lost in wholesale amounts was political agency.” Thus the rise of Jim Crow laws and the spectacle, 150 years after the end of the war, of continued disenfranchisement and de facto segregation.
Essential reading for the historically minded in a time of ongoing struggle for civil rights.Pub Date: May 1, 2018
ISBN: 978-0-19-086569-6
Page Count: 176
Publisher: Oxford Univ.
Review Posted Online: March 18, 2018
Kirkus Reviews Issue: April 1, 2018
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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