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ALLEN VERBATIM

LECTURES ON POETRY, POLITICS, CONSCIOUSNESS

Ball has found a most benign use for his Sony — eavesdropping on Allen Ginsberg's 1971 cross-country college lecture tour at UC Davis, Wisconsin State, Wyoming, St. Louis and, of course, Kent State. No one is better on his feet than Ginsberg, our only poet who has achieved international celebrity status through his crowd-pulling hypnotic readings, and the thrall in which he holds his audience is powerful even in transcription. The material here on the politics of drugs — comprising twenty years research on our Draconian policies toward addicts (like friends William Burroughs and Herbert Huncke) — was first given in a seminar at the Institute for Policy Studies in Washington. The poet relates his own experience of gnostic consciousness and Zen presence to prosody . . . . But by far the most valuable sections are the conversations with Robert Duncan on recent twentieth-century poetry in which Ginsberg recalls his own evolution as a poet (reading some surprisingly insipid poems written in the '40's), the influence of Williams' colloquial voice, his love affair with Cassady. An appendix includes one new poem and a handful of Blake's songs as musically adapted by Ginsberg. This intimate exposition of personality and creativity is the most vivid understanding we have of the major contemporary poet.

Pub Date: Jan. 1, 1974

ISBN: 0070232857

Page Count: 298

Publisher: McGraw-Hill

Review Posted Online: Sept. 23, 2011

Kirkus Reviews Issue: Sept. 1, 1974

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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