Jones (Last Year’s River, 2001, etc.) has written a most American of novels, bristling with hard truths.
Eli Singer is a renowned poet whose artistic sensibilities are like "[Wendell] Berry meets Bukowski," but his elegant verse is crafted by a haunted man.
Remote eastern Montana is a place where the wind, cold, and isolation break men and drive women mad, and so it was for 12-year-old Eli’s mother. First a housekeeper for Buddy Singer, bachelor rancher, and then his wife, she struggled with loneliness, boredom, and her failure as a parent. Eli and his 14-year-old sister, Emma, took their stepfather's name, but soon Emma ran away to share the bed of a neighboring rancher three times her age. There was a scandal, then two people died. Decades later, only Eli knows the true story, which comes in flashbacks that expand the scope and deepen the resonance of this tale, one of love and family set against a rugged Old West ethos. It begins after middle-aged Eli is pulled from his isolation by Chloe Barnes. Eli makes a rare trip to New York City to meet with his publisher, and while there, he is introduced to Chloe, a literary agent. The attraction is mutual and magnetic. First, it’s all telephone calls, but then Chloe flies to Montana, and two damaged souls stumble toward connection. Soon, though, the love story is framed by a clash of morality. A thunderstorm exposes a hidden grave; a murdered man surfaces, the corpse suspiciously secreted on Eli’s land inherited from Buddy. Both Eli and Chloe are thoroughly human, flawed people yet sympathetic protagonists. Chloe seeks a hero, a protector, stability. Eli is guilt-ridden, closed off, gut-wrenchingly lonely. With broad strokes painting an eastern Montana landscape and flashes of insight about the people who cling to its land, Jones rides past the softer romances of Nicholas Sparks into the hard country populated by the best of Western writers.
Jones (Last Year’s River, 2001, etc.) has written a most American of novels, bristling with hard truths.Pub Date: Nov. 15, 2016
ISBN: 9781632460455
Page Count: 234
Publisher: Ig Publishing
Review Posted Online: Sept. 20, 2016
Kirkus Reviews Issue: Oct. 1, 2016
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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