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THE CLIMBER OF POINTE DU HOC

A traditional war story with believable characters, a strong focus, and a tight plot.

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Saxon’s novella tells the story of a World War II soldier who scales the cliffs at Pointe du Hoc, France.

Caleb Huddleston is a white ranch kid and occasional rock climber from Wyoming who answers the call and enlists in WWII. He joins the U.S. Army Rangers and winds up in the first wave of the Normandy invasion. But before that, he undergoes months of training in England, staying with a family in the Cornish town of Bude. The Bennetts have a daughter, Elizabeth, who’s a student nurse, and it soon becomes clear that she and Caleb are falling in love—a romance that readers follow throughout the book. Meanwhile, Benjamin Cook, a young Black man in Virginia with a natural surgical talent, joins the military, though he suffers the effects of racism. But his skills lead him to become a respected ad hoc medic. Despite the novel’s title, the actual assault of the Pointe du Hoc is only a small part of the story. The tale is dramatically told, however, as when Caleb saves the life of buddy Pedro Ramirez by shooting a German with Caleb’s grandfather’s Spanish-American War sidearm near the top of the cliff. The story continues as the brave troops push on into the French countryside, never knowing where the enemy is and when they might stage a counteroffensive. The audience sees the grit of everyday war, with all the fear and fatigue it entails.

Readers will come to care about these characters, some of whom will not come home; those who do make it through their mission will not escape unscathed, either physically or emotionally. And, of course, Caleb’s and Benjamin’s lives will intersect in a striking way. In a long afterword, the author, a surgeon, explains that he was inspired to write the book when a much older colleague revealed that he had taken part in D-Day, and that “three quarters of [his fellow soldiers] are still on the beach,” so appalling was the death toll. Saxon writes cleanly, if sometimes a little stiffly, as when describing that a character “stated,” rather than simply “said” something, or when relating that a sleepless night was “tolerated.” Still, there’s a classic simplicity to his tale that serves it well, and the story features moments of understated eloquence, as when a character’s brutal death is simply referred to as the “final darkness.” Caleb, as a character, is a recognizable type: a bit of a Boy Scout, bashful around women, and no more cultured than any other stereotypical cowboy. For instance, when Elizabeth tells him that she was named not for the queen, but rather because her mother was a big Jane Austen fan, Caleb wonders to himself why she wasn’t named Jane. The very brief letters that he manages to write her are comically formal; it’s a big breakthrough when he moves from “Dear Miss Bennett” to “Dear Elizabeth.” Overall, Saxon’s debut work feels like a labor of love and respect.

A traditional war story with believable characters, a strong focus, and a tight plot.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: April 1, 2024

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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