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ALMOND

A slight story coupled with puzzling illustrations, this doesn’t quite hit the mark.

Sometimes it takes meeting someone new to help us learn what we can really achieve.

Almond, a young pale-skinned girl with dark hair, encounters another, similarly complexioned young girl at school. The New Girl can play violin beautifully, evoking visions for Almond as she listens. Almond, though, is facing anxiety about being in a play and having to read lines; she is convinced that she has no talent. Her insecurities lead her to feel inferior to the New Girl and thus diminish her own abilities, though Almond’s mother assures her that she will find her way. It takes an encouraging teacher, a unique moment during the play, some crows, and, perhaps, a bit of the supernatural for Almond to discover her true talent. The story’s themes—self-confidence, believing in oneself—are universal and should resonate with young readers, yet the characters feel overly specific. The New Girl’s sudden appearance in and then disappearance from Almond's life opens up multiple interpretations that young readers may find hard to pin down. The narrative seems to jump in places, lacking smooth transitions to carry young readers through Almond’s inner, and outer, journey. Say’s unusual approach here mixes realistic photographs with often blurry charcoal and pastel techniques, leading to slightly unsettling translucency in places, with repetitive vignettes of Almond’s not-always-expressive face and enigmatic views of windows and hallways.

A slight story coupled with puzzling illustrations, this doesn’t quite hit the mark. (Picture book. 4-7)

Pub Date: March 3, 2020

ISBN: 978-1-338-30037-6

Page Count: 32

Publisher: Scholastic

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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