by Allen Say & illustrated by Allen Say ‧ RELEASE DATE: Sept. 1, 2011
Aesthetically superb; this will fascinate comics readers and budding artists while creating new Say fans.
Exquisite drawings, paintings, comics and photographs balance each other perfectly as they illustrate Say’s childhood path to becoming an artist.
Although its story overlaps with The Ink-Keeper’s Apprentice(1979), this visual chronicle is a fresh new wonder. It opens with a soft watercolor map of Japan on the left, framed in a rectangle, while on the right is a delicate, full-bleed watercolor of Yokohama’s seashore and fishing village, with two black-and-white photographs pasted on: Say as a child, and the stone beach wall. The early arc takes readers from Say’s 1937 birth, through family moves to escape 1941 bombings and then Say’s nigh-emancipation at age 12, when his mother supported him in his own Tokyo apartment. The one-room apartment “was for me to study in, but studying was far from my mind… this was going to be my art studio!” The art table’s drawer handle resembles a smile. Happily apprenticing with famous cartoonist Noro Shinpei, Say works dedicatedly on comic panels, still-lifes and life drawing. Nothing—not political unrest, not U.S. occupation, not paternal disapproval—derails his singular goal of becoming a cartoonist. Shinpei’s original comics are reproduced here, harmonizing with Say’s own art from that time and the graphic-novel–style panels, drawings and paintings created for this book.
Aesthetically superb; this will fascinate comics readers and budding artists while creating new Say fans. (author’s note) (Graphic memoir. 10 & up)Pub Date: Sept. 1, 2011
ISBN: 978-0-545-17686-6
Page Count: 64
Publisher: Scholastic
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
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by Adam Eli ‧ RELEASE DATE: June 2, 2020
Small but mighty necessary reading.
A miniature manifesto for radical queer acceptance that weaves together the personal and political.
Eli, a cis gay white Jewish man, uses his own identities and experiences to frame and acknowledge his perspective. In the prologue, Eli compares the global Jewish community to the global queer community, noting, “We don’t always get it right, but the importance of showing up for other Jews has been carved into the DNA of what it means to be Jewish. It is my dream that queer people develop the same ideology—what I like to call a Global Queer Conscience.” He details his own isolating experiences as a queer adolescent in an Orthodox Jewish community and reflects on how he and so many others would have benefitted from a robust and supportive queer community. The rest of the book outlines 10 principles based on the belief that an expectation of mutual care and concern across various other dimensions of identity can be integrated into queer community values. Eli’s prose is clear, straightforward, and powerful. While he makes some choices that may be divisive—for example, using the initialism LGBTQIAA+ which includes “ally”—he always makes clear those are his personal choices and that the language is ever evolving.
Small but mighty necessary reading. (resources) (Nonfiction. 14-18)Pub Date: June 2, 2020
ISBN: 978-0-593-09368-9
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
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More In The Series
by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
by Saundra Mitchell ‧ RELEASE DATE: May 10, 2016
A breezy, bustling bucketful of courageous acts and eye-popping feats.
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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