by Allen Say & illustrated by Allen Say ‧ RELEASE DATE: Oct. 1, 1995
Thinking about his grandfather, Sam decides that he doesn't want to grow old—but he wakes up the next morning with an old man's face. His parents are shocked, the doctors are amazed, his schoolmates jeer. Isn't he the same Sam inside? He grabs a skateboard to prove it, and wakes up the next morning with his familiar, unlined kid's face back. Though not as spare as Grandfather's Journey (1993), this has been pared down considerably, sometimes to the point of confusion (Where has the grandfather gone? Is this a dream or not?), and a mastery of skateboard tricks isn't the most convincing peg on which to hang a sense of self. Elegant lines, clean curves, and uncluttered backgrounds give Say's paintings a tidy, controlled look that works better in the first half (scenes of people with astonished looks) than in the second (Sam on the skateboard). The artist's flair with facial expressions wavers at the end; it's hard to tell whether Sam is laughing, crying, shouting, or sneezing. Readers willing to dig deeply may find here a protest against marginalizing the elderly; most will see it as a transformation story, more stridently earnest than David Small's Imogene's Antlers (1985), Arthur Yorinks's Louis the Fish (1980), or Anthony Browne's entire oeuvre. (Picture book. 8+)
Pub Date: Oct. 1, 1995
ISBN: 0-395-61590-9
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1995
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by Tiffany Jewell ; illustrated by Aurélia Durand ‧ RELEASE DATE: Jan. 7, 2020
Essential.
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A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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by Julia Alvarez ‧ RELEASE DATE: Jan. 13, 2009
Though it lacks nuance, still a must-read.
Tyler is the son of generations of Vermont dairy farmers.
Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.
Though it lacks nuance, still a must-read. (Fiction. 9-11)Pub Date: Jan. 13, 2009
ISBN: 978-0-375-85838-3
Page Count: 240
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2008
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