Had Steele spent as much effort deepening the characters as he does explaining a plasma gun, Captain Future might have a...
Captain Future and friends struggle to save the solar system from a separatist plot in a rebooted 1940s pulp science-fiction franchise.
Curt Newton—aka Captain Future—is the child of two scientists murdered by greedy Sen. Victor Corvo and raised by unlikely guardians: Grag, an intelligent robot; Simon Wright, his parents' sometime colleague, now a brain housed in a drone; and Otho, an android originally intended to be Wright's replacement body. Curt is trained as the typical action-adventure Renaissance man until Wright tells him of his parents' murderer. Curt sets out for vengeance but accidentally discovers—and foils—a presidential assassination attempt instead. Curt is drafted by the authorities to find the assassins' leader with the aid of obligatory love interest/space cop Joan Randall. The assassins are revealed as some of the setting's "aliens": humans genetically modified to settle other planets who identify now as Martians, etc. If all of this sounds familiar to pulp fans, it's because there's precious little new here. Steele's nostalgic devotion to the original leaves the narrative trapped in the 1940s. Curt is a Boys' Own hero who is cringingly immature around Joan, supposedly because of social naiveté (yet Otho, raised the same way, manages not to stare at Joan's breasts); Curt's character arc is the simplistic realization that you shouldn't murder people for revenge (but offing nameless thugs is fine); and the "aliens" are, awkwardly, drawn entirely from non-Anglo cultures. The cast of supposed geniuses are frequently idiots to further the plot, and whenever the story risks getting interesting—such as exploring the legitimate frustrations of the Martians—things quickly revert to bar fights.
Had Steele spent as much effort deepening the characters as he does explaining a plasma gun, Captain Future might have a future; as is, this effort flounders in the past.Pub Date: March 21, 2017
ISBN: 978-0-7653-8218-4
Page Count: 304
Publisher: Tor
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
