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LET THE DEAD BURY THE DEAD

A vividly imagined tapestry of turbulent times.

Upheaval in Tsarist Russia.

After Napoleon’s army retreated from Russia in 1812, years of brutal war left the populace impoverished, roiling with political unrest, and seething with rebellion. Epstein captures the tensions and contradictions of the time in a dramatic page-turner involving the tsar’s wayward younger son, Grand Duke Felix; Felix’s lover, Sasha, a soldier just returned from the war; and Sofia Azarova, a mesmerizing woman whom Sasha rescues when he finds her prostrate in the snow. Felix is an aristocrat out of central casting: “Tall, strong shouldered, and slim-waisted,” Sasha observes; at 28, “he still looked like a storybook prince.” His imperious father has exiled him to the sumptuous but far-off Catherine Palace, where he can draw on an ample allowance to indulge his “zest for grandeur.” But Felix’s life changes irrevocably when Sasha walks in carrying Sofia in his arms. Beautiful, fascinating, and undeniably charismatic, Sofia entices Felix, as if in a spell. Sasha warns him: There is something uncanny about her. She could be a witch, a vila, an evil spirit. But with Sofia’s arrival, Sasha realizes, “the trust between them had become fragile,” and Felix cannot heed his warning. Nor can Marya resist Sofia’s power. Marya is a member of the rebellious popular movement Koalitsiya, which agitates for “legal protections for workers and peasants, a reformed imperial council, religious freedom, [and] a clear path to emancipation for the country’s twenty million serfs.” Sofia infiltrates the movement, seductively manipulating Marya, at the same time as she insinuates herself into the palace. Violence, betrayal, murder, assassination: Sofia incites mayhem. “This was a woman who could change the shape of the world with a thought,” Marya comes to believe. Epstein interweaves a brisk plot with Eastern European folktales that reveal a vila’s insidious power. Sofia, hardly human, was “like a creature from legend, an ancient spirit hungry to watch something beautiful burn.”

A vividly imagined tapestry of turbulent times.

Pub Date: Oct. 17, 2023

ISBN: 9780385549097

Page Count: 368

Publisher: Doubleday

Review Posted Online: Aug. 12, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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