Bridget Venus Bloom is a lot.
In her first semester at Chicago’s Richard James Academy boarding school as a high school junior, the rural Nebraska girl assumes that she is a gift to the universe. She has the unwavering support of her dads (who could barely afford the tuition), and she is immensely talented. Bridget can play piano, dance, and sing. But what she loves more than anything else is being at the center of everyone’s attention. So when she bombs her music theory entrance exam and is denied entrance into the school’s elite music program, Bridget is dumbfounded. How dare someone suggest that she is not up to par? Not only that, as a general education college-prep student, she is banned from performing. How can the universe revolve around her when she isn’t even allowed the spotlight? While Bridget’s self-absorbed behavior for the majority of the book may be difficult to stick with, readers who do make it to the end will be rewarded by her growth as a person and as a friend. While mostly engaging, the plot at times glosses over potential conflicts and secondary characters’ stories in order to focus completely on Bridget’s path to redemption with the result that some of the storylines appear forced. Bridget is White, fat, and queer; there is some racial diversity among the supporting characters.
A cutesy, body-positive story of self-absorption, self-realization, and, ultimately, love.
(sheet music, author’s note) (Fiction. 13-17)