Still, Pataki deserves kudos for choosing her subject matter well—Sisi’s life is ideal fictional fodder.
A love match alters the course of the Habsburg dynasty in Pataki’s second novel (The Traitor's Wife, 2014).
In 1853, Elisabeth, known as “Sisi,” daughter of a Bavarian duke, accompanies her mother and older sister, Helene, to Vienna. The sisters’ redoubtable aunt, Archduchess Sophie, has arranged Helene’s betrothal to her son, Emperor Franz Joseph, who reigns over Austria, Germany, Hungary and most of central Europe. To Sophie’s alarm, Franz prefers the pretty, vivacious and athletic 15-year old Sisi to the shy, homely and studious Helene. After a gift-strewn engagement and lavish royal wedding, Sisi adjusts to the realities of wedded bliss among the monarchy: She has no privacy—every intimate detail’s observed and remarked upon by court spies—and a mother-in-law who's not about to brook any rivals for her son’s affection. When Sisi gives birth to two daughters, Sophie and Gisela, the archduchess complains of the lack of a male heir but happily appropriates the princesses, barring Sisi from any involvement in their upbringing. (The same will happen with Sisi’s ill-fated son, Prince Rudolf). Franz is preoccupied with affairs of state, dealing with rebellious upstarts like Hungary, Italy and Prussia, vassal nations eager to throw off the Habsburg yoke. Sisi is instrumental in healing the rift with Hungary, in part because this wildly popular empress has a special affection for the Hungarian people and landscape. On her first visit, she's captivated by the former rebel leader, dark, handsome Count Andrássy. However, young Sophie succumbs to a fever while in Budapest, feeding the archduchess’s propaganda campaign against Sisi’s maternal suitability. On her return to stultifying court life, Sisi is felled by depression but finally musters the will to stage a rebellion of her own. The plot doesn't stray far from the conventions of novels about royalty, exposing all the unsurprising human disappointments lurking behind the gilded façade.
Still, Pataki deserves kudos for choosing her subject matter well—Sisi’s life is ideal fictional fodder.Pub Date: Feb. 17, 2015
ISBN: 978-1-4767-9022-0
Page Count: 512
Publisher: Howard Books/Simon & Schuster
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
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