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COMMUNITY SOUP

Name: COMMUNITY SOUP
Author: Alma Fullerton
ISBN: 978-1-927485-27-9

by Alma Fullerton ; illustrated by Alma Fullerton ‧ RELEASE DATE: Aug. 1, 2013

For reading aloud or alone, a nourishing choice.

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Mary’s little lamb becomes a village child’s goats in this quirky, Kenya-set tale of making pumpkin vegetable soup.

The story opens with children picking vegetables from a community garden. “But where is Kioni?” Kioni is looking for her goats. Suddenly, the text turns into a familiar rhyme, adapted to reflect its setting in an unnamed Kenyan village. Kioni’s goats “with hair of calico” almost eat the vegetables, but they make a better contribution to the soup instead (never fear: It’s just their milk). Textured collage illustrations combining natural materials and painted images show the busy children, the corn, pumpkin, sweet potato and other vegetables that make up the soup, and Kioni’s calico-haired goats. The simple text is set on harvest-toned pages opposite full-bleed pictures. At one point, two consecutive images carry the action. Two double-page spreads emphasize highlights: goats in the garden (“GO!”) and, at the end, goats and children each eating their appropriate foods. The story concludes with a recipe. Fullerton, who introduced young readers to rural Uganda in A Good Trade (illustrated by Karen Patkau; 2013), provides a positive picture of community cooperation in another rural setting, identified as Kenya in the publisher’s cataloging. (A portion of the book’s profits will go to Creation of Hope, a project supporting orphans from and around Kikima, Kenya.)

For reading aloud or alone, a nourishing choice. (Picture book. 4-7)

Pub Date: Aug. 1, 2013

ISBN: 978-1-927485-27-9

Page Count: 32

Publisher: Pajama Press

Review Posted Online: June 7, 2013

Kirkus Reviews Issue: June 15, 2013

Categories:

CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
FLIPPING FORWARD TWISTING BACKWARD
by Alma Fullerton ; illustrated by Alma Fullerton

- BOOK REVIEW
NO MORE PLASTIC
by Alma Fullerton ; illustrated by Alma Fullerton

- BOOK REVIEW
HAND OVER HAND
by Alma Fullerton ; illustrated by Renné Benoit

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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TINY T. REX AND THE IMPOSSIBLE HUG

by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019

Wins for compassion and for the refusal to let physical limitations hold one back.

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With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)