THE FERVOR

In 1944, the lives of a newspaper reporter, a newly ordained minister, Japanese internees, and a Japanese scientist intertwine around a mysterious illness.

“There’s a long history of violence against Asians in America. If you’re unaware of this, it’s not surprising: it doesn’t make the history books, it’s not taught in classrooms,” the author writes in an afterword. Her novel combines historical events, such as Roosevelt’s executive order forcing Japanese Americans into internment camps, with supernatural elements from Japanese folklore. Chapters alternate among the perspectives of minister Archie Mitchell, reporter Fran Gurstwold, Camp Minidoka internees Meiko Briggs and her daughter Aiko, and scientist Wasaburo Oishi’s journal entries. What unites these disparate characters becomes clear as more is revealed about the illness spreading through the internment camp and the dangerous balloons or parachutes that have begun appearing in several states. While at first the plot moves at a dizzying pace, especially in Archie’s first chapters, a balance of incisive detail and steady progression is struck toward the middle of the book. What appears to be a story of supernatural suspense mixed with historical fiction transforms into an important reminder of the United States’ short memory of its own atrocities and its long history of anti-Asian sentiment, violence, and racism. Didactic writing is both a strength and a weakness here. At first, important parallels are created; for instance, “America was not Nazi Germany. Rounding up citizens in camps in order to kill them: it was impossible. It went against everything America stood for—everything Americans said they stood for. Yet here she was, dying in an internment camp.” Unfortunately, by the end, these notes become too frequent and heavy-handed. Even so, it's enjoyable to experience the ambitious, weblike weaving of the book's many elements.

Admirable in its aims but needed more finesse.