by Aly Raisman ; illustrated by Bea Jackson ‧ RELEASE DATE: April 2, 2024
Necessary and empowering.
Olympic gold medalist Raisman, who in 2017 spoke out about the sexual abuse she’d endured, presents a primer on bodily autonomy.
“I am strong. I am beautiful. I am unique. I am enough.” So begin the affirmations that appear in this sensitively written book. Raisman underscores the importance of being kind to one’s body and listening to what it needs. She notes that others need to ask permission before touching our bodies; sometimes the answer will be yes, but other times, it will be no. Either is acceptable. Sometimes, someone will forget to ask or won’t respect the answer. When that happens, children can tell them to stop. If they feel unsafe, and it’s hard to say no, they can ask for help from people who make them feel safe. Our voices are just as “powerful,” “beautiful,” and “worthy” as our bodies. Emphasizing the strength inherent in every person—and making clear that we all deserve respect—Raisman has created a much-needed resource for starting a dialogue about consent. Backmatter offers tips for adults about discussing bodies and boundaries. Jackson’s expressive, pastorally soft illustrations depict people, diverse in terms of race, ability, and body type, practicing gymnastics, gardening, and playing basketball. A light-skinned girl wearing a shirt reading “Aly,” presumably a stand-in for the author, features prominently.
Necessary and empowering. (author’s note) (Picture book. 3-8)Pub Date: April 2, 2024
ISBN: 9781250798107
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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BOOK REVIEW
by Aly Raisman with Blythe Lawrence
by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Erin Guendelsberger ; illustrated by Jennifer Zivoin
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by Erin Guendelsberger ; illustrated by Annelouise Mahoney
BOOK REVIEW
by Erin Guendelsberger ; illustrated by Suzie Mason
by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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