An encouraging tale for young readers with their own fears to face.
An outdoors-loving girl overcomes her fear of water in this picture-book debut about positive self-talk.
Vicky, an enthusiastic girl with warm brown skin, dark brown eyes, and curly puffs of hair, loves being outdoors and playing in mud and dirt with her friends. The rhyming narrative endorses this messiness but points out that this behavior is only OK if Vicky would be willing to take a bath each night: “But no, this is not her way.” Vicky’s fear of water keeps her from bathing more than once a week—and leaves her out when her best friends enjoy swimming at the beach. When one friend invites Vicky to a birthday party at a water park, Vicky determines that the time to overcome her fear has arrived. The Ssentamus, a married Australian team, introduce internal voices Negative Ned and Positive Ted to help readers understand how self-talk—and the voice Vicky chooses to listen to—influences Vicky's ability to overcome her fears. The rhyming stanzas flow well throughout and only occasionally introduce an unfamiliar term (fortnight) that might cause young American readers to stumble. Alshalabi’s warm digital cartoonlike illustrations capture both Vicky’s exuberance and her fear, and Vicky’s diverse friends and family (her mother has peach-toned skin with blue eyes and blond hair; her father, a deeper sepia skin tone and curly brown hair like Vicky’s) offer many young readers a chance to see themselves represented on the page. An afterword offers conversation starters for families to discuss fear and courage.
An encouraging tale for young readers with their own fears to face.Pub Date: Oct. 19, 2021
ISBN: 978-0-6451293-0-4
Page Count: 38
Publisher: Pixel Publishing House
Review Posted Online: May 28, 2021
Kirkus Reviews Issue: July 15, 2021
Review Program: Kirkus Indie
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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