Despite Richman’s talent with visual detail, nothing new about van Gogh is illuminated, and wan Marguerite never comes fully...
Another in the ever-expanding genre of possible romances between famous painters and their subjects.
The real-life van Gogh spent the last 70 days of his life, an artistically prolific period, in Auvers-sur-Oise under the care of Dr. Gachet, a homeopathic physician. Richman (Swedish Tango, 2004, etc.) re-envisions those weeks in 1890 by focusing on the doctor’s daughter, Marguerite. Approaching 21, she has spent her childhood isolated with her younger brother, who is cared for by Madame Chevalier, a “governess” who is clearly their father’s mistress. Madame’s daughter, Louise-Josephine (probably Marguerite’s half-sister), has recently joined the eccentric household. A would-be painter with a growing art collection, Dr. Gachet does not allow mixing with the townspeople. Marguerite, a gifted pianist and gardener who yearns for experience in the world, is immediately attracted to van Gogh, who seems serious and physically fragile but relatively sane. Smitten himself, he asks Dr. Gachet’s permission to paint Marguerite. He portrays her first in the garden, capturing her loneliness, then at the piano, showing her beauty. As their flirtation deepens, Marguerite also begins to forge a genuine friendship with Louise-Josephine, who regularly sneaks out to meet her local sweetheart. Soon, Marguerite is doing the same to meet Vincent. But a visit to his brother in Paris leaves van Gogh distraught. He explains that given his limited energy and funds, he cannot afford to marry, but he gives Marguerite a third portrait, hidden in their private cave: “It will always be here for you,” he promises. Dr. Gachet catches her returning and sequesters her at home. Days later, van Gogh shoots himself. When Louise-Josephine, the story’s only truly healthy character, marries and suggests that Marguerite come to Paris, Marguerite chooses to remain in Auvers-sur-Oise, to be near Vincent’s painting.
Despite Richman’s talent with visual detail, nothing new about van Gogh is illuminated, and wan Marguerite never comes fully to life.Pub Date: Oct. 3, 2006
ISBN: 0-425-21267-X
Page Count: 320
Publisher: Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2006
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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