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ONE OF US KNOWS

A spooky, gothic setting disrupted by a totally modern heroine.

A woman with dissociative identity disorder finds herself at the site of the childhood trauma that caused her break, fighting for survival against threats both external and internal.

When Kenetria Nash wakes up, she at first has no idea that she’s been dormant for six years. Following an extreme childhood trauma, Ken developed DID in order to cope, and she and her seven “headmates” live in relative harmony within a castle-shaped inner world, though only three of the personalities, including Ken, are truly able to “front” for long periods of time. While Ken has been slumbering, Della and Solomon have been managing, dealing with Covid-19 and an increasingly precarious financial situation. Ken comes back into awareness standing on a dock, waiting for a boat to pick her up and ferry her to her new job as caretaker at an old estate on an abandoned Hudson River island. If this sounds like the setup for a truly strange horror movie—it is. Managing her various selves is the least of Ken’s problems, even as Della seems to have gone missing, because when they reach the estate, the house turns out to look exactly like the interior castle where all the headmates live. Not only has Ken apparently been here before, but soon her caustic ex shows up with his racist, misogynistic father, intent on hosting some kind of bizarre goblin hunting ritual—in a storm, of course. Her only ally is Celeste, who seems to run hot and cold with Ken, but ultimately may be her ticket to surviving the physical challenges ahead. Of course, she also has to deal with the mental challenges, not least of which involves the existence of a new headmate who looks an awful lot like a ghost spotted on the property. If it sounds a little over the top—it is. But there are enough twists and scares and unique elements to keep you reading. Ken can be hard to like sometimes, but she’s easy to root for.

A spooky, gothic setting disrupted by a totally modern heroine.

Pub Date: April 16, 2024

ISBN: 9780063114951

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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BONDED IN DEATH

Forget the tangled backstory, focus on the game of cat and mouse, and enjoy.

Lt. Eve Dallas and her colleagues in the New York Police and Security Department step outside their comfort zone into counterterrorism.

Back in 2024, during the stressful time of the Urban Wars, a courageous band calling themselves The Twelve fought Dominion and other violent fringe groups that sought to end civilization as we know it, despite the presence of a traitor in their own midst. Now, 37 years later, someone’s killed Giovanni Rossi, a retired cybersecurity expert who was one of The Twelve, an hour or so after a summons—ostensibly from another veteran of the group—brought him from Rome to New York. On the body, officers called to the scene find a copy of Dallas’ business card that’s been embellished with a flamboyant threat to annihilate the seven surviving members of The Twelve. Obligingly inviting all seven to New York—a move you’d think would make it a lot easier for their nemesis to wipe them all out at once—Dallas soon forms a theory about the killer’s identity and sets a trap to draw him out. But her plan turns into a narrow miss, upping the stakes on both sides, for now the killer knows Dallas is on to him. It’s in the nature of the case that there’s less mystery and detection than usual in this long-running franchise—the biggest surprise turns out to be the connection between Dallas and her quarry—but the thrills keep on coming, and the final interrogation, though highly predictable in its broad outlines, is as satisfying as ever.

Forget the tangled backstory, focus on the game of cat and mouse, and enjoy.

Pub Date: Feb. 4, 2025

ISBN: 9781250370792

Page Count: 368

Publisher: St. Martin's

Review Posted Online: Nov. 23, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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