Contrived romp from the author of Legally Blonde, the basis for the Golden Globe–nominated movie.
Driven yuppie versus Park Avenue preppy.
Named as guardians of four-year-old Emily, a tutu-wearing tot sweet enough to cause cavities, Becca Reinhart and Edward Kirkland square off when Emily’s unmarried parents die in a plane crash. The judge informs them that a final custody ruling will be made in three months—and may the best one win. The winsome orphan needs a mommy now, decides quick-thinking Becca, who stops jetting off to international destinations to make more millions in investment banking and plays boardgames instead with Emily. Edward, more reserved, as befits his WASP heritage, takes a little longer to establish his claim. His wannabe fiancée, a selfish bitch named Bunny Stirrup, keeps him by her side at an endless round of arty parties and charity galas, knowing that precious little Emily is likely to get in the way of her nefarious scheme to marry him (she even seeks help from his domineering mother). Other cutesy names abound: Tina Volley, a socialite, Mitch Beluga, a caterer, and Penelope Hobnob, ditzy headmistress of a French-immersion school for kindergarteners. Expensive brand names and tired clichés about the rich also abound, lest readers forget that these cardboard characters are rich and privileged. But warmhearted Becca somehow keeps it real, despite her posh apartment, spectacular view of Central Park, unimaginable success on Wall Street, and attentive minions. How does she do it? Well, for one thing, she calls her warmhearted Jewish mother every day. And she thinks nothing of dragging finicky Edward into Katz’s Deli for a nosh (and some good-natured ribbing from an abrasive waiter). He takes it all in stride, part of his patrician charm, and she has to admit that he’s attractive and relatively intelligent—for a goy. And Becca needs to marry someone if she’s to win Emily . . . and, hey, so does he. Still, the wicked Bunny lies in wait.
Contrived romp from the author of Legally Blonde, the basis for the Golden Globe–nominated movie.Pub Date: July 14, 2003
ISBN: 0-525-94730-2
Page Count: 336
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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