No one, and no relationship, is perfect in this story, which embraces the messiness of love and life.
A lonely 71-year-old widow wins a trip to Europe and takes her three grown children in an attempt to reconnect with them.
One-time mediocre realtor and long-time widow Charlotte Perkins lives in Savannah, Georgia. When her best friend dies, she realizes just how lonely she has become and how she has lost touch with her grown children, two of whom refuse to speak to each another. Charlotte believes that her eldest daughter, Lee, is an actress on the cusp of success in Los Angeles; that her son, Cord, is a successful venture capitalist in New York City waiting to find the right woman; and that her youngest, Regan, is a happily married stay-at-home mother of two. She doesn’t know that Lee is in massive debt, cannot find work, and is living in a La Quinta hotel; that Cord is a struggling-to-stay-sober alcoholic who is happily engaged to a man he adores; and that Regan dreams of murdering her detested husband, whom she regrets marrying after her sister broke his heart. Charlotte herself is not the pious Catholic church lady everyone thinks she is—she is desperate to find a man, have sex, and live out the naughty pages of her romance books. Everyone in the family is adept at hiding their emotions and themselves from one another. Charlotte hopes to bring them all together again by entering a contest for a cruise through Europe. And she wins. Author Ward (The Nearness of You, 2017, etc.) has created a complex story that explores the tragedies and long-term effects of withheld love, verbal abuse, alcoholism, and depression on individuals and their families, set against the backdrop of a splendidly gaudy, over-the-top Mediterranean cruise ship and its historic ports of call. Open, optimistic, caring, romantic, and thoughtful Giovanni—Cord’s fiance—is a highlight of the book.
No one, and no relationship, is perfect in this story, which embraces the messiness of love and life.Pub Date: Feb. 4, 2020
ISBN: 978-0-399-18189-4
Page Count: 352
Publisher: Ballantine
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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