An intense, unflinching, and supernatural coming-of-age tale.
When Leisl Davis begins her first year at Smith College, she gets a spot in a competitive seminar on the history of witchcraft that turns out to be more practical than she could have ever imagined.
Leisl isn’t doing so well when she moves into her dorm at Smith. She battles with suicidal tendencies and self-loathing and is trying desperately to convince herself that she isn’t attracted to girls. She meets a friendly, handsome Amherst student named Tripp, but when he rapes her, she is denied support or even validation from school or the authorities. Leisl befriends Luna, another of Tripp’s victims, and immediately feels an attraction. They sign up for a seminar led by the enigmatic professor Sienna Weiss, who whittles the course down to Liesl, Luna, and two other girls, Gabi and Charlotte. Sienna reveals to the students that they are not a class, they are a coven, and under her guidance they learn how to perform real magic. They progress quickly, but their bond is complicated when Luna and Gabi start dating and Leisl cannot contain her jealousy, nor her untreated PTSD. When the coven learns that Tripp and his Amherst frat buddies have somehow developed magical powers of their own, Leisl drives the coven to take justice into their own hands. This debut is a bit rough around the edges but is often quite brilliant, particularly when Leisl reflects on the ways women and girls are demonized simply for protecting themselves: “might you see that, in order to be safe in houses of God, much less the untamed wild of streets and bars, we must grow snakes from our scalps and learn to turn men to stone—just to go outside?” Harlowe writes Leisl’s point of view in rushing, furious sentences, depicting her increasingly fraught mental state while also leaving room for friendship, love, and healing in the slightly uneven ending.
An intense, unflinching, and supernatural coming-of-age tale.Pub Date: Oct. 6, 2020
ISBN: 978-1-5387-5220-3
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A tart meditation on narrative and integrity.
A writer’s meeting with his mentor goes complicatedly awry.
Lerner’s slim fourth novel opens with an unnamed narrator arriving in Providence, Rhode Island, on a magazine assignment to interview Thomas, a professor who’s “among the world’s most renowned thinkers about art and technology.” Just before leaving his hotel, though, he accidentally knocks his phone in a sink, bricking it. His sole means of recording the interview gone, he triages, suggesting that he and Thomas conduct a pre-interview that evening and do a full-dress conversation the next day, after he can get the device fixed. The setup seems thin, but, this being a Lerner novel, rich ethical and philosophical questions fly off it: He’s concerned with the ways that an interview poisons authentic conversation, with our over-reliance on technology, and the moral dilemmas of talking to an unreliable source. (Thomas, 90, seems distracted and sometimes dotty.) Lerner’s true subject isn’t an interview so much as it is misapprehension and miscommunication; after the meeting with Thomas in the first section, the second and third parts are concerned with characters’ failures to understand something about each other, be it a romantic partner’s wishes or a child’s eating disorder. That last challenge makes for some of the most vivid, offbeat, and affecting writing Lerner has delivered—a surprise, given his fiction is typically marked by DeLillo-esque sangfroid. Another surprise is the relative embrace of a conventional story arc, as the narrator faces a reckoning about living in a “deepfake” world. This is slighter fare for Lerner but surprisingly potent given its length, interested in the ways that we manufacture our identities and how technology speeds the process along.
A tart meditation on narrative and integrity.Pub Date: April 7, 2026
ISBN: 9780374618599
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 20, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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