An empathetic, complex, and offbeat tale.
King and Swanson’s debut SF/fantasy novel uses dazzling worldbuilding and a hodgepodge of characters, cultures, and fantastic species to tell a powerful, human story.
Aliara and Sylandair had gotten out, or at least they thought they had. They were once slaves, but after their master, Kluuta Orono, apparently died in a catastrophic explosion, they escaped and never looked back. Now, in 2084, they’ve built a life for themselves, trading on their wit, skill, and clout in the atoll of Dockhaven. When rumors of the survival of their former owner reach their ears, they have little choice but to investigate for themselves. Meanwhile, in the ramshackle port city, there’s a constant buzz of tragedy; in particular, children have been disappearing. After the pair’s investigation turns up evidence of the cause of these disappearances, it soon becomes clear that something far darker is afoot. In this novel, the city of Dockhaven and the world of Ismae are nearly characters themselves, and the authors introduce a variety of unfamiliar humanoid species, such as the scaly draas and the imposing karju, as part of the complex setting as well as a nuanced mix of magic and science. The worldbuilding is nearly flawless in its execution, which will entice readers to immerse themselves in the story and acclimate themselves to its strangeness as they go. The novel also strikes a chord with its characterization; Aliara and Sylandair are shown to be very much in love, but they’re unscrupulous toward most anyone else and willing to lie to, steal from, or sacrifice others when necessary. They’re extremely confident and skilled but also deeply scarred by their trauma at Orono’s hands, and they remember those experiences as they go about their daily lives. Meanwhile, Schmalch, a not-so-trustworthy thief for hire, offers an outsider’s perspective on the main pair as well as welcome comic relief. The intriguing plot makes excellent use of its primary characters, resulting in a breathtaking, harmonious read.
An empathetic, complex, and offbeat tale.Pub Date: Feb. 14, 2019
ISBN: 978-1-73357-830-1
Page Count: 504
Publisher: Ismae Books
Review Posted Online: Sept. 24, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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