A monstrously effective lid-dropper.
Why count sheep when an alphabetical array of monsters is queued up to crawl under the bed?
Lying wakeful in his moonlit bedroom, the pale-skinned lad from the I Need My Monster series begins with “A…is for Arms.” This cues the entry of a multilimbed, popeyed, purple-striped yellow creature at the head of a parade of blobby, slobbery boojums as wildly diverse of shape as they are saturated of hue. It’s almost a pity this book is codex bound instead of concertina folded, as careful design finds elements from the right edge of one double-page spread continuing on to the left edge of the next. The green-furred, horned monster on an early spread is revealed to have a long, spiked tail after the turn of the page, for instance, and the substance dripping from the many noses of a blue, finned creature makes quite the trail of bright pink ooze across the following spread. Readers will enjoy flipping back and forth to see the contiguity. Being all smiles and more likely to elicit snorts of amusement than screams of terror, the monstrous marchers crawling, oozing, slithering, or strolling into and out of view with each page turn have the intended soporific effect. As the alphabet progresses, the lines of narrative become more and more…stretched…out…until a final “Y…is…for…Yawn…and…Z……is for…” signal mission accomplished. (This book was reviewed digitally.)
A monstrously effective lid-dropper. (Picture book. 3-5)Pub Date: Sept. 20, 2021
ISBN: 978-1-947277-49-6
Page Count: 32
Publisher: Flashlight Press
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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