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WENDY CARLOS

A BIOGRAPHY

A balanced biography that gives credit where it is due.

A pioneering musical artist belatedly receives her first biography.

In 1968, the release of Switched-On Bach blew the doors open for the acceptance of synthesizers in music. That album was created by Wendy Carlos (b. 1939), who was born Walter Carlos before transitioning to Wendy. Though she wouldn’t undergo “gender confirmation surgery” until 1972 and wouldn’t go public with her gender identity until the end of that decade, the artist the public knew as Walter was deeply closeted and “nowhere to be found” as the album became a critical and commercial success. Sewell, music director of Interlochen Public Radio, focuses more on Carlos’ music than on her personal life, as Carlos would clearly wish, though she didn’t participate in this book or consent to an interview. Nonetheless, the author demonstrates that she was as important to the success of the Moog synthesizer as the Moog was for her, that she was a pioneering artist in ambient music as well, and that she dismissed being pigeonholed for her synthesized Bach. Sewell shows that she is a difficult woman who has fallen out with friends and collaborators, filed suit against those who attempt to stream or sell her music—currently unavailable except through back channels and secondary sources—and accused the “New York musical mafia” of killing her career by ignoring her. Her unexpected initial success, writes the author, was “both a dream come true and an absolute nightmare come to life,” and she continued to shrink from public view just as public interest hit its peak. Subsequently, it became increasingly challenging to promote an artist who wouldn’t perform or appear in public, resisted being photographed, and wanted absolute control over everything, from her rare interviews to the way her music was sold. Sewell, who does solid excavation work, includes a discography and videography as well as a glossary of “terms and concepts related to gender identity.”

A balanced biography that gives credit where it is due.

Pub Date: April 2, 2020

ISBN: 978-0-19-005346-8

Page Count: 272

Publisher: Oxford Univ.

Review Posted Online: Dec. 28, 2019

Kirkus Reviews Issue: Feb. 1, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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