A novel equal to its larger-than-life protagonist.
Captivating historical fiction from the award-winning author of Threats (2012) and Museum of the Weird (2010).
As the “mother of modern dance,” Isadora Duncan pioneered a style of movement that released the body from the rigid discipline of ballet. Her choreography favored free-flowing movements designed to seem more like spontaneous expression than a practiced performance. At first, the feverish, practically Gothic voice that Gray invents for her protagonist seems an odd fit for a woman inspired by the simple lines and unadorned grace of classical art and architecture, but, as the reader goes deeper into Isadora’s world, Gray’s choice begins to make perfect sense. Duncan’s modernism included the concept of the artist as rogue and celebrity—someone whose creativity demanded freedom from everyday norms. And, certainly, fate played a role in making Duncan extraordinary in life and in death. This novel begins when the dancer’s two small children drown in the Seine, and early chapters depict Duncan’s immediate reaction to this awful tragedy. To say that she is not restrained in her grieving would be a dramatic understatement, but it soon becomes clear that restraint simply is not part of her makeup. Gray’s prose is over-the-top but utterly apt. Isadora’s words are gorgeous even when they are grisly, and Gray does a terrific job of depicting not just the bereavement of a mother, but also the bereavement of a mother for whom life is a source of fuel for art. Gray also makes the canny choice to include other narrators, observers whose cooler viewpoints are expressed in the third person. Paris Singer, heir to his father’s sewing-machine fortune and the father of her son, is the one who takes care of quotidian details while Isadora pursues her muse. And her sister, Elizabeth, is also an excellent foil. As the administrator of the schools founded by the dancer, Elizabeth depends upon Isadora. But, more than anyone, Elizabeth recognizes the performative aspect of Isadora’s everyday existence. Together, these interwoven voices tell the story of a singular genius at one of the turning points of history, the moment when the promises of modernism give way to the first total war.
A novel equal to its larger-than-life protagonist.Pub Date: May 23, 2017
ISBN: 978-0-374-27998-1
Page Count: 400
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
PROFILES
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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