by Amélie Nothomb ; translated by Alison Anderson ‧ RELEASE DATE: Sept. 11, 2018
This razor-sharp morality tale can be read in an afternoon but contains a lifetime of wisdom about how we cope with the...
From France: The life of an exceptional woman is cursed and blessed from the start by her mother's failures.
This slim novel by Nothomb, a popular and prolific Belgian author who resides in Paris, has been translated by Anderson, who translated The Elegance of the Hedgehog, and seems poised to take off for the same reasons that novel did—elegant writing, fairy-tale qualities, psychological insight, a toothsome plot, and an intoxicating Frenchness—or perhaps in this case, Belgian-ness. First, we meet Marie. "Tall, with a good figure, her face lit with a blond radiance...Marie was nineteen and her time had come. She could sense that an extraordinary destiny awaited her." Marie easily snags the attention of the best-looking boy in town, and "when the girls looked at her their painful envy turned to hatred, and she thrilled to the pleasure of their gaze." This self-regard and competitiveness become quite problematic as Marie's actual, nonextraordinary destiny unfolds: pregnancy, early marriage, and motherhood in a dull, small town. Nothing makes her happy, not her perfect wedding or her pretty town house or her adorable baby girl. "You are the loveliest little girl I've ever seen," says her husband to their newborn, and "Marie's heart froze." The baby, named Diane, is the star of this story. She is shaped by her mother's coldness and jealousy in ways that are far from predictable. The remainder of the novel tracks Diane’s relationships with the other females in her life: her grandmother, a sister, a best friend, and, most importantly, a mentor she meets in medical school and that woman's daughter. Nothomb has published a book a year since 1992; though quite a few are available in English, she is still something of an unknown. Perhaps this new novel will bring her the recognition here that she has abroad.
This razor-sharp morality tale can be read in an afternoon but contains a lifetime of wisdom about how we cope with the weaknesses of those closest to us.Pub Date: Sept. 11, 2018
ISBN: 978-1-60945-485-2
Page Count: 144
Publisher: Europa Editions
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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BOOK REVIEW
by Amélie Nothomb ; translated by Alison Anderson
BOOK REVIEW
by Amélie Nothomb & translated by Alison Anderson
BOOK REVIEW
by Amélie Nothomb & translated by Alison Anderson
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Lisa Jewell
BOOK REVIEW
by Lisa Jewell
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by Lisa Jewell
by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
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New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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