A creepy, insidious tale that shows how treacherous a sister’s attachment can be.
After a move, two teenage sisters find themselves in a new home on the edge of the woods, where Skye branches out while introspective Deirdre finds solace playing games her sister no longer has patience for. When Deirdre vanishes, Skye is forced to reexamine the past choices she made to protect her sister and must decide if she will face the grim, irreversible consequences of saving Deirdre again. These memories form a haunting exposition that Bérubé (The Dark Beneath the Ice, 2018) uses in conjunction with the plot to covertly insert suspense. They are so seamlessly executed that readers can forget whether they are in Skye’s past or present world. This does conjure up some confusion but also creates an immersive, nuanced world and characters who can’t be labeled as merely “good” or “bad.” Three section breaks named after different characters have lush illustrations of flora and fauna and lines quoting poet Gwendolyn McEwen that act as an aesthetic backdrop to the actual story; each is narrated from Skye’s first-person perspective. All characters default to white.
For those who are not faint of heart, morally or otherwise, and who wish to sink into an intricate, subtle, and deeply unsettling read.
(Horror. 14-18)