THE CARNIVALE OF CURIOSITIES

A Faustian battle of wits and wills set in Victorian England.

London’s elite flock to the seedy borough of Southwark when Ashe & Pretorius’ Carnivale of Curiosities returns for a two-week engagement at the theater they call home—an elaborately renovated former debtors prison built on the Newington Crossroads. Conjoined child tumblers, an albino aerialist, and a hirsute violin virtuoso share the stage with a doll-sized ballerina, a disappearing juggler, and Lucien, a winged fire-conjurer called “the Lucifer.” Most attendees come for the spectacle, but some have heard whispers that the troupe’s leader, illusionist Aurelius Ashe, is capable of true magic and come seeking a miracle. Wealthy, influential banker Odilon Rose falls into the latter camp, medicine having failed to cure the leukemia of his 23-year-old ward and reluctant paramour, Charlotte Bainbridge. Ashe despises Rose from the start and has an acrimonious history with Rose’s henchmen. He endeavors to decline the man’s request, but Rose reveals he has information that could destroy Lucien, so Ashe agrees to help—for a price. Rose signs the strange contract Ashe proffers, certain he can find a way to break it. Debut author Gibbs dazzles with lush, evocative prose, delightfully diabolical plotting, and abundant heart. Individual characters may lack dimension, but the dynamics of the found family formed by the “curiosities” add more than enough nuance and emotional complexity to compensate. Subtle worldbuilding elevates the tale’s intrigue without distracting from the action.

Darkly enchanting and grimly gratifying.