A wonderfully lively and open-minded intellectual inquiry.
A sociology professor examines why gay bars are shuttering in major cities around the world.
In recent years, writes Ghaziani, author of Sex Cultures and There Goes the Gayborhood?, a “global epidemic of [gay bar] closures” has occurred. Drawing on research, interviews, and his own work as “an urban ethnographer of nightlife,” the author explores the possible reasons behind this phenomenon as well as emergent trends in the world of LGBTQ+ venues. These closures, he argues, are “disruptive event[s]” that “have forced us to think about the significance of place.” Like the recessions, pandemics, and terrorist attacks that have characterized the early 21st century, they have altered routines and ways of thinking. Economic forces, such as skyrocketing urban land values and taxes, along with increasing income inequality, have catalyzed such closures. What’s taken the place of gay bars are pop-up clubs that happen wherever there’s (affordable) space, even if only for short periods of time. Symbiotic relationships have also emerged between remaining party venues and event-based nightlife. As one LGBTQ+ event habitué puts it, queer nightlife is far from dying; rather, it’s “thriving” through a period of rapid change. Ghaziani suggests that changes in the nightclub scene may also be generational. Traditional gay bars, for example, have tended to be bastions of whiteness that haven’t always provided a refuge for nonwhite people. Like the young people who tend to frequent pop-up events, in contrast, the new queer nightlife scene enthusiastically embraces “intersectional lives” lived at the crossroads of race, gender, ethnicity, and other identifiers. Thoughtful and well researched, Ghaziani’s book looks beyond the binaries and prejudices within LGBTQ+ communities to celebrate a more inclusive space of queerness that actively identifies and accepts difference in all its forms.
A wonderfully lively and open-minded intellectual inquiry.Pub Date: March 19, 2024
ISBN: 9780691253855
Page Count: 288
Publisher: Princeton Univ.
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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