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LONG LIVE QUEER NIGHTLIFE

HOW THE CLOSING OF GAY BARS SPARKED A REVOLUTION

A wonderfully lively and open-minded intellectual inquiry.

A sociology professor examines why gay bars are shuttering in major cities around the world.

In recent years, writes Ghaziani, author of Sex Cultures and There Goes the Gayborhood?, a “global epidemic of [gay bar] closures” has occurred. Drawing on research, interviews, and his own work as “an urban ethnographer of nightlife,” the author explores the possible reasons behind this phenomenon as well as emergent trends in the world of LGBTQ+ venues. These closures, he argues, are “disruptive event[s]” that “have forced us to think about the significance of place.” Like the recessions, pandemics, and terrorist attacks that have characterized the early 21st century, they have altered routines and ways of thinking. Economic forces, such as skyrocketing urban land values and taxes, along with increasing income inequality, have catalyzed such closures. What’s taken the place of gay bars are pop-up clubs that happen wherever there’s (affordable) space, even if only for short periods of time. Symbiotic relationships have also emerged between remaining party venues and event-based nightlife. As one LGBTQ+ event habitué puts it, queer nightlife is far from dying; rather, it’s “thriving” through a period of rapid change. Ghaziani suggests that changes in the nightclub scene may also be generational. Traditional gay bars, for example, have tended to be bastions of whiteness that haven’t always provided a refuge for nonwhite people. Like the young people who tend to frequent pop-up events, in contrast, the new queer nightlife scene enthusiastically embraces “intersectional lives” lived at the crossroads of race, gender, ethnicity, and other identifiers. Thoughtful and well researched, Ghaziani’s book looks beyond the binaries and prejudices within LGBTQ+ communities to celebrate a more inclusive space of queerness that actively identifies and accepts difference in all its forms.

A wonderfully lively and open-minded intellectual inquiry.

Pub Date: March 19, 2024

ISBN: 9780691253855

Page Count: 288

Publisher: Princeton Univ.

Review Posted Online: Dec. 6, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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WHAT THIS COMEDIAN SAID WILL SHOCK YOU

Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.

The comedian argues that the arts of moderation and common sense must be reinvigorated.

Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.

Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.

Pub Date: May 21, 2024

ISBN: 9781668051351

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: March 5, 2024

Kirkus Reviews Issue: April 1, 2024

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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