A unique, well-conceived take on using food to discover the essence of home.
A child rethinks her definition of home in Jalloh’s second picture book.
Elementary-schooler Mariama loves living in Freetown, Sierra Leone, where she can get banana akara ice cream and play football at the beach with her friends. When her parents announce that the family will be taking a trip back to her father’s home village of Kabala, Mariama can’t hide her disappointment. “But I don’t want another home,” she says to herself, “my home is here in Freetown with all my friends.” In Kabala, she is welcomed warmly by her extended family, but she doesn’t start to feel comfortable until her uncle takes her to meet his neighbor Pa Bah who lets her try thiakry, a dessert made from couscous. Mariama enjoys this experience but still misses home. It isn’t until Mariama celebrates the Kabala Festival and Pa Bah creates a thiakry dish with a twist that she learns to love both of her homes equally. Jalloh’s follow-up to The Biggest Little Brother (2017) is a thoughtful and visually dynamic exploration of the different ways we experience “home.” The author highlights a rarely studied country in American children’s literature and doesn’t shy from confronting the complexity of Mariama’s homesickness. Ӧzcan’s illustrations of the cities and countryside of Sierra Leone are vivid; they bring the nation’s culture to life with well-placed embellishments, such as the stars around Mariama’s spoon as she declares her love for banana thiakry.
A unique, well-conceived take on using food to discover the essence of home.Pub Date: June 17, 2023
ISBN: 979-8988009009
Page Count: 36
Publisher: Readers Inspired
Review Posted Online: Aug. 16, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.
In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.
“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.Pub Date: July 16, 2024
ISBN: 9781736267370
Page Count: 40
Publisher: A Little Offbeat Publishing
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
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BOOK REVIEW
BOOK REVIEW
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