Low-key yet piercingly empathetic, Forna's latest explores instinct, resilience, and the complexity of human coexistence,...
The paths of two people—an American woman who studies the habits of urban foxes and a Ghanaian man specializing in refugee trauma—cross in London, creating a fork in the road for both.
Shot through with history, biology, and psychiatry, Forna’s (The Hired Man, 2013, etc.) fourth novel is an unusual work that characteristically integrates multiple layers with fluidity. Its central characters are divorced wildlife biologist Jean Turane, in London working for a local council, and noted psychiatrist Attila Asare, a widower, who's arrived to give the keynote speech at a conference. Both have devoted their working lives to interpreting behavior and response, whether human or animal. Jean’s context is the American history of settlement, wolf-hunting, and survival; Attila’s the international geography of war. One accidental encounter on Waterloo Bridge, when Jean runs into Attila while chasing a fox, leads to more time spent together; meanwhile, Attila is searching for two missing family members and trying to help an old lover now afflicted by early-onset Alzheimer’s disease, and Jean is drawn into a metropolitan fox-culling controversy. These far-from-sensational events, spanning some 10 days, are interrupted by more dramatic interludes set in Bosnia, New England, Iraq, and elsewhere, offering glimpses of Jean's and Attila’s pasts: work done, risks taken, pain experienced. Forna’s sensitive novel is nonostentatious yet compelling, and whether writing of Attila’s victims of conflict and terror or Jean’s birds and mammals, she offers wisdom and perspective, which is further extended to the possibility of romance between two questing strangers.
Low-key yet piercingly empathetic, Forna's latest explores instinct, resilience, and the complexity of human coexistence, reaffirming her reputation for exceptional ability and perspective.Pub Date: March 6, 2018
ISBN: 978-0-8021-2755-6
Page Count: 320
Publisher: Atlantic Monthly
Review Posted Online: Dec. 11, 2017
Kirkus Reviews Issue: Jan. 1, 2018
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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