by Amit Chaudhuri ‧ RELEASE DATE: March 1, 1999
Three brilliantly written short novels by a young Anglo-Indian author who has been praised throughout Great Britain as one of his generation’s finest prose stylists. And the reader immediately sees why in the opening pages of “A Strange and Sublime Address” (1991), which recounts in delightfully funny detail the perceptions of Sandeep, a ten-year-old boy from Calcutta whose family pays an extended visit to his uncle’s bustling and eccentric Bombay home, then returns a year and a half later to chart the progress of Uncle Chhotomama, a loony mixture of communist ideologue and failed businessman whom Salman Rushdie might have invented. The story is plotless; Chaudhuri simply presents a parade of gorgeous vignettes and tableaus filled with wondrously observed small moments (when a toddler takes one hesitant step, “its other leg forgot it was a leg, and the child, bewildered by its own body, collapsed in a soft heap”). “Afternoon Raag” (1993) depicts with comparable facility the confused sensibility of a music student (perhaps the grown-up Sandeep, though not specifically identified as him) at Oxford, poised uncertainly between the comforting world of his parents back in Bombay and the contrasting promises of two girl students he tells himself he loves. The piece is slight but beautifully done. The more ambitious “Freedom Song” (1995) examines the relations among two families living together temporarily in present-day Calcutta: Shib, who works in a British-owned chocolate factory, and his wife Xhuku; and then also Xhuku’s weirdly extended “family of ne’er-do-wells” whose communal raison d’àtre seems to be the need to arrange a proper marriage for Xhuku’s scandalous nephew Bhaskar, a devout communist who performs political street theater. The two families” ineffably comic, intrinsically melancholy interactions are rendered with quiet compassion in a tour de force that suggests an Indian Buddenbrooks in miniature. Some of the most accomplished fiction of the decade.
Pub Date: March 1, 1999
ISBN: 0-375-40427-9
Page Count: 480
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Kristin Hannah ‧ RELEASE DATE: Jan. 31, 2012
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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