Ghosh’s story, involving and intricate, speaks urgently to a time growing ever more perilous.
In the face of apocalyptic climate change, an Indian immigrant searches for the truth behind a Bengali legend.
Deen Datta travels each year from Brooklyn, where he works as a dealer in rare books and Asian antiquities, to his native Calcutta, “or Kolkata, as it is now formally known,” visiting family and scouting new purchases. As Ghosh’s (Flood of Fire, 2015, etc.) novel opens, a smart-alecky relative tells him the tale of a Bengali folk hero called the Gun Merchant, whose story is rooted in a shrine in the Sundarbans, ”a tiger-infested mangrove forest“ at the mouth of the Ganges. Another relative, an elderly woman who grew up in the islands, has more stories to tell—and so does Piya Roy, a young, female marine biologist who is studying the effects of climate change on whales and dolphins, once abundant in the storm-lashed Sundarbans. Deen is a collector not just of old things, but also of interesting friends from all over the world, such as the Italian scholar Giacinta Schiavon, who makes an urgent case for taking folktales seriously as descriptions of the world and auguries of things to come, even as Deen protests that he is ”a rational, secular, scientifically minded person.” There is good reason to beware of signs and portents, for even as the Sundarbans disappear beneath the rising sea and cobras strike unwary victims, places like Los Angeles are falling before a wall of fire, “a glowing snake hurtling towards me, through the flames,” while legions of displaced people are in flight, walking across continents, fleeing aboard boats “crowded with refugees.” Much of Deen’s story is a fictional rejoinder to Ghosh’s 2016 polemic, The Great Derangement: Climate Change and the Unthinkable, and, as with that book, blends elements of journalism, folklore, science, and history to describe a world on the verge of catastrophe—and one in which people, in the end, have nowhere to go.
Ghosh’s story, involving and intricate, speaks urgently to a time growing ever more perilous.Pub Date: Sept. 10, 2019
ISBN: 978-0-374-16739-4
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
