The glittery cover and promise of mermaids may attract readers initially, but there is little here to lure them for repeated...
This second Tiptoe Guide (The Tiptoe Guide to Tracking Fairies, 2010) has readers scouring the seashore for mermaids and imagining what their lives must be like.
Not a story, but not a guidebook in the traditional sense either, this is more of a fits-and-starts foray into imagination that may leave many of its readers behind. Listen to a conch shell’s secrets, search a tidal pool for evidence of baby mermaids, imagine shells as mermaid jewelry, sand dollars as money and ocean plants as food, with crabs scrounging the leftovers. But the author goes beyond readers’ reach, as the mermaids play with dolphins, swim amid the coral and carry out their daily activities (primping, napping, shopping) on the ocean floor. While Paquette’s first capitalized on the popularity of fairy houses and the easy accessibility of most to the great outdoors, this latest narrows its readership by focusing on the ocean. It further disappoints this limited audience by highlighting beachcombing finds that are relatively rare, if not geographically impossible: perfect sand dollars and conch shells, ocean plants, tidal pools—not to mention the warm-enough-for-a-bathing-suit but nonetheless deserted, beach. Letourneau layers her fanciful watercolor mermaids atop beautiful photographs, which gives a jarring feel to the artwork. Further, when the text asks readers, “Can you see any mermaids anywhere?” she makes no effort at hiding them.
The glittery cover and promise of mermaids may attract readers initially, but there is little here to lure them for repeated readings. (Picture book. 4-7)Pub Date: May 1, 2012
ISBN: 978-1-933718-59-0
Page Count: 32
Publisher: Tanglewood Publishing
Review Posted Online: March 27, 2012
Kirkus Reviews Issue: April 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Warm but underdone.
In this picture book from actor Gyllenhaal and his partner, Caruso, a child and his uncle bond on a fantastic journey.
Leo, an avid dancer, is dismayed when Uncle Mo visits—he’s in town for a “rubber band convention.” Illustrations show both with wavy brown hair and light tan skin. Not only does Leo think his uncle is rather dull, he’s also leery of Uncle Mo’s many rules. A rather abrupt narrative shift occurs when the pair inexplicably drive into another dimension. Here they encounter Great-Aunt Gloria (who is very tall and presents Black) and Uncle Munkle Carbunkle (who is very short and light-skinned), who guide them through the Secret Society of Aunts & Uncles. Unimpressed with Uncle Mo, Great-Aunt Gloria says he must take a quiz on “Auntieology and Uncleology.” After several wrong answers, Uncle Mo has a final chance at redemption: He must state his nephew’s favorite activity. When Leo springs into action to dance for his clueless uncle, a mishap leaves him mortified and un-bespectacled. Enter Uncle Mo to save the day by using a rubber band to secure Leo’s glasses. While Santat’s energetic illustrations do much to clarify the narrative, they can’t fully make up for the disjointed storytelling—it’s never clear why the two have entered this dimension or why Leo is suddenly so eager to help Uncle Mo. (This book was reviewed digitally.)
Warm but underdone. (Picture book. 4-7)Pub Date: Sept. 5, 2023
ISBN: 9781250776990
Page Count: 48
Publisher: Feiwel & Friends
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Sky-based pyrotechnics make for a fun if somewhat confusing telling.
In this collaboration between sci-fi novelist Sanderson and Amulet creator Kibuishi, an unreliable narrator informs readers that here be no dragons.
“A boy sat in a chair.” The book opens on a bespectacled, light-skinned child in old-fashioned attire. The narration continues, “That’s it. He just sat in a chair,” while on the opposite page, the boy’s chair has unexpectedly whisked him heavenward. The narrator attempts to convince readers that just sitting in a chair is boring. As the story continues, however, the boy is attacked by an array of sky ruffians operating vessels; fight scenes and impressive explosions ensue. A dragon makes an appearance as the narrator drones on about how dull the story is. Kibuishi’s detailed cartoon images depict an enticing steampunk-esque world. Adults reading this book to kids might want to read the text first without the pictures; on a second run they can show off the images, neatly illustrating the important interplay of text and visuals in sequential art. Unfortunately, for all that the illustrations maintain the action at a fair clip, near the end the plot grows muddled as the boy gets out of his chair but then tumbles to the ground: Was he falling and then trying to stop himself? Some adult intervention may be required to clarify what precisely is happening on the page.
Sky-based pyrotechnics make for a fun if somewhat confusing telling. (Picture book. 4-7)Pub Date: Sept. 24, 2024
ISBN: 9781250843661
Page Count: 48
Publisher: Roaring Brook Press
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
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