Not every exposure is perfect, but this literary album contains striking snapshots by a gifted writer with a capacious heart...
An eclectic selection from the 40-year career of the popular but controversial Israeli novelist and essayist (How to Cure a Fanatic, 2006, etc.).
Arranged loosely by theme (“In the Promised Land,” “In an Autobiographical Vein,” etc.), these pieces illustrate the range of Oz’s talents and the focus of his interests. Born in Jerusalem in 1939, he left home at 14 to live in a kibbutz; of all social systems, he declares, it is “the least bad, the least unkind.” As a citizen of a nation perpetually at war, he acknowledges that violence is sometimes necessary—Dachau, he notes, was not liberated by peace demonstrators—but believes it ought to be a last resort rather than the first option. He condemns all sides in the Middle East conflict, thereby estranging himself from conservatives. His most wrenching essay terms Israel’s 1982 invasion of Lebanon “a war of deceit and brainwashing.” Oz writes about the many changes he’s witnessed in Jerusalem, about the existence of evil in the world—he chides Freudians and just about all other social scientists for their failure to engage with it—and about the horrors of warfare. In the grimmest entry, an excerpt from his 1971 novel Crusade, a medieval Crusader orders the torture and murder of a Jew. Like most anthologies, this one offers mixed blessings. It will surely introduce this important modern writer to a broader audience, but some of the selections are confusing, especially those from his fiction. There are some striking sentences (common for Oz), but many readers will experience bewilderment as they struggle to glean the passages’ context within the novels.
Not every exposure is perfect, but this literary album contains striking snapshots by a gifted writer with a capacious heart and humane philosophy.Pub Date: April 14, 2009
ISBN: 978-0-15-603566-8
Page Count: 400
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2009
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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