Peerless Israeli storyteller Oz presents 18 months in the life of painfully self-contained Yoel Raviv, retired from the Israeli Secret Service and trying to escape the ghosts of his professional life and his dead wife—a woman he's still struggling to know. Bedeviled by memories of his wife Ivria, accidentally electrocuted in his absence on business in Helsinki; of his servitude to agency contact Yirmiyahu Cordovero ("Le Patron"); and of an obsessively recurring series of frozen images—the statue of a cat mysteriously springing free of its base; the figure of Edgar Linton from Wuthering Heights; a wheelchair-bound beggar; a copy of Mrs. Dalloway left behind in Helsinki—Yoel reacts in two conflicting ways. Frantic to be left alone, he changes his name, retreats to a new house in a Tel Aviv suburb, and refuses a posting to Bangkok. At the same time, he reaches out equally frantically to his strong-willed, epileptic daughter Netta, about to be conscripted, and to his quarreling mother and mother-in-law, by asking them all to live with him; he also begins a robotic friendship with real-estate agent Arik Krantz and an equally passive love affair with next-door neighbor Annemarie Vermont, shepherded by her oppressively approving bother Ralph. Floating through this tangle of relationships, Yoel keeps telling himself that things will work out, that tomorrow is another day, but he's wrong—as he sees when his mother and Netta's lover Duby Krantz tell him off for his inability to accept people without controlling them, and when he's unable to get forgiven by the father of the agent killed in Bangkok in his place. Slowly, slowly, Oz thaws out his likable, paralyzed hero and returns him to provisional membership in the human race. A meditative third-person confessional of hauntingly quiet power—and a treasure for readers who think contemporary novels carry too much plot.
Pub Date: March 7, 1991
ISBN: 15-190499-5
Page Count: -
Publisher: Harcourt
Review Posted Online: May 19, 2010
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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