Satisfyingly subtle and rich.
Boaz follows her debut (A Richer Dust, 2008) with another finely wrought novel rooted in literary history.
Here it’s a member of the Beat Generation who provokes the narrator’s desire and dilemma. Frances, an attractive young woman who was formerly a magazine editor in New York, chronicles her sojourn in Paris with her precociously inquisitive seven-year-old daughter. Cathy has a lot to inquire about, because she knows more than she should about her mother’s relationship with Joseph Pasternak, an older poet for whom Frances has all but ended her marriage. (Boaz throws in plenty of Kerouac references, though the outdoorsy Pasternak more resembles Gary Snyder.) A series of flashbacks reveals what drove Frances to Paris. She meets Joseph at a wedding and, restless since childbirth put an end to sex with her dependable, boring husband, pursues and steals him away from his common-law wife, a better-known poet with the unfortunate name of Arlene Manhunter. However, all is not what it seems. Apparently the previously married Joseph hasn’t confined his affections to Frances, and he is now incarcerated in Colorado after the disappearance of Arlene, which may be a crime in which Frances may be complicit. What initially seems like a literary soap opera with traces of a mystery evolves into an acute character study in which Frances reveals essential truths about herself. “We want romance because it will change our lives and we want desperately to change our lives,” she reflects. But lives don’t always change for the better, and those changes can have a profound effect on others close to the lovers. Frances is so concerned with herself that she barely notices the impact on Cathy of being exiled to Paris with a mother in flight from a broken marriage, on the lam from the law—or perhaps both.
Satisfyingly subtle and rich.Pub Date: Aug. 1, 2009
ISBN: 978-1-57962-186-5
Page Count: 198
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2009
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
BOOK REVIEW
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