The stunning, beaded illustrations are clearly the best-in-show winners of this thematic collection of 25 poems celebrating canines. In their collective picture book debut, the four artists have created beaded illustrations using rows of tiny beads on colored backgrounds with clever additions of larger beads, buttons, and charms interspersed for variety. Their beaded dogs (and a few companion cats) have plenty of humor and personality, including some imaginative pooches: a sheriff dog in a ten-gallon hat, an astrodog in a silver spaceship, and two scuba-diving dogs. In her first published work, Sklansky offers a variety of poetic forms, mostly rhymed, all written in first person from a dog’s point of view. Several poems examine a dog’s dreams or nightmares, while others focus on standard features of a dog’s life (fleas, baths, bones, balls, digging holes, and affection for human owners). The creative design includes different type treatments, borders, backgrounds, and illustration placement that make the most of this unusual medium. The final page includes additional facts about the beadwork and short bios with tiny self-portraits of the bead artists. (Poetry. 5-9)
Pub Date: Sept. 1, 2002
ISBN: 0-8050-6673-X
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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BOOK REVIEW
BOOK REVIEW
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