Educative reading for lawyers, journalists, and others who must balance the right to make known with the right to conceal.
The right to privacy is not a given, as this complicated legal history makes clear.
As law professor Gajda writes, there has been tension between the right to privacy and the right of the free press to publish news since the Colonial era. Nonetheless, the modern period of privacy law begins, by her account, with a specific incident in the late 19th century when a risqué dancer contested the publication of a photograph of her onstage act. The event coincided with the publication of an article by future Supreme Court Justice Louis Brandeis, whose firm did so brisk a business in privacy-related lawsuits that he felt comfortable turning down one such action by none other than Mark Twain. “The U.S. Supreme Court has never decided precisely when the right to privacy trumps a freedom to publish a truth,” writes Gajda. Instead, the court has referred the matter to the states, which has resulted in a patchwork of laws that serve to highlight the tension even further: “Society needs [privacy], the law is there on which to build, and the only question is, which way do we as a society want to go, especially when the right to privacy is so often pitted against that other critical right, the freedom of expression?” Just as with the Supreme Court, American society seems torn, and the legal pendulum swings, sometimes weighing heavily in favor of the press (as with, for instance, the publication of the Pentagon Papers) and sometimes siding, by omission or commission, with those who claim the right to privacy—Donald Trump and his taxes, to name just one of the author’s examples. Clearly, she concludes, the matter is legislative as much as judicial, such that Congress must weigh in on what constitutes, as one Supreme Court decision framed it, “a subject of legitimate news interest.”
Educative reading for lawyers, journalists, and others who must balance the right to make known with the right to conceal.Pub Date: April 12, 2022
ISBN: 978-1-984880-74-1
Page Count: 400
Publisher: Viking
Review Posted Online: Jan. 24, 2022
Kirkus Reviews Issue: Feb. 15, 2022
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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