A tense psychological thriller with an intriguing setup but too many far-fetched twists at the end.
Grad students are tasty snacks in the shark tank of faculty ambition.
Gentry sets her third thriller in the world of academe, where we find a slew of powerful female characters and some male eye candy. Mackenzie Claire Woods has just finished her keynote at an academic conference in LA and is about to take a young fellow she knows only as "Harvard" up to her room in the SkyLoft Hotel when she spots her long-estranged childhood best friend. Gwen Whitney was the princess to Mac's pauper, her escape route from a hardscrabble childhood that included junior beauty pageants, her father's abandonment, her mother's drug addiction, and a disabled sister. Both Mac and Gwen went on to graduate school at The Program, a taxing course of study in rarefied disciplines, painted with a welcome touch of satire. Coming from her family, is it any wonder grad student Mac can't make heads or tails of topics like Diasporic Feminisms, Dualities of Motion and Emotion, and Introduction to Economimesis? Most problematically, she can't get through a tome titled "Ethical Negation," written by the faculty star, Bethany Ladd, a sexy genius everyone is competing to impress and whose seminar is offered at the same time as Mac's restaurant shift. Since the poor girl is not only putting herself through school, but supporting her mother and sister, she desperately needs a fellowship Bethany seems to control. The narrative hopscotches between the challenges of grad school and the unfolding drama, 10 years later, in the SkyLoft Hotel. Mac sends Harvard up to her room by himself and steps out of the elevator to waylay Gwen. They have a heart-to-heart during which Mac gets blackout drunk and wakes up unable to remember just how much she confessed about some terrible incident in the past: suspense by alcohol. As the story races to its conclusion, a racism issue with another student is needlessly tacked on and believability is tossed to the winds.
A tense psychological thriller with an intriguing setup but too many far-fetched twists at the end.Pub Date: Feb. 2, 2021
ISBN: 978-0-358-12654-6
Page Count: 352
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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