A tense psychological thriller with an intriguing setup but too many far-fetched twists at the end.
Grad students are tasty snacks in the shark tank of faculty ambition.
Gentry sets her third thriller in the world of academe, where we find a slew of powerful female characters and some male eye candy. Mackenzie Claire Woods has just finished her keynote at an academic conference in LA and is about to take a young fellow she knows only as "Harvard" up to her room in the SkyLoft Hotel when she spots her long-estranged childhood best friend. Gwen Whitney was the princess to Mac's pauper, her escape route from a hardscrabble childhood that included junior beauty pageants, her father's abandonment, her mother's drug addiction, and a disabled sister. Both Mac and Gwen went on to graduate school at The Program, a taxing course of study in rarefied disciplines, painted with a welcome touch of satire. Coming from her family, is it any wonder grad student Mac can't make heads or tails of topics like Diasporic Feminisms, Dualities of Motion and Emotion, and Introduction to Economimesis? Most problematically, she can't get through a tome titled "Ethical Negation," written by the faculty star, Bethany Ladd, a sexy genius everyone is competing to impress and whose seminar is offered at the same time as Mac's restaurant shift. Since the poor girl is not only putting herself through school, but supporting her mother and sister, she desperately needs a fellowship Bethany seems to control. The narrative hopscotches between the challenges of grad school and the unfolding drama, 10 years later, in the SkyLoft Hotel. Mac sends Harvard up to her room by himself and steps out of the elevator to waylay Gwen. They have a heart-to-heart during which Mac gets blackout drunk and wakes up unable to remember just how much she confessed about some terrible incident in the past: suspense by alcohol. As the story races to its conclusion, a racism issue with another student is needlessly tacked on and believability is tossed to the winds.
A tense psychological thriller with an intriguing setup but too many far-fetched twists at the end.Pub Date: Feb. 2, 2021
ISBN: 978-0-358-12654-6
Page Count: 352
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Fast-moving excitement with a satisfying finish.
The feds must protect an accused criminal and an orphaned girl.
Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead.
Fast-moving excitement with a satisfying finish.Pub Date: Nov. 12, 2024
ISBN: 9781538757901
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
