A hearty look at city girl making a new home on the range. This sequel begins in 1947 where Love You, Soldier (1991) left off. Katie and her widowed mother arrive in Texas from New York City to begin new lives with Sam Gold, a veteran unscathed by the war that claimed Katie's father four years earlier. In the pages of the diary are the ups and downs of a young girl's adjustment to her stepfather, new home, new school, and, just as she is beginning to settle in, the wrenching news that her mother is pregnant. Katie plans to run away to New York City with a classmate and nearly succeeds before being intercepted, to her mingled relief and fury. Hest has dealt with the stepparent-and-new-baby theme in Where in the World Is the Perfect Family? (1989); the immediacy of the diary format makes her latest effort even more effective. The pages are decorated with ``Katie's'' childish drawings and Lamut's trompe l'oeil illustrations of b&w snapshots slipped into the leaves. Today's 11-year-olds may find Katie unsophisticated, but she is totally convincing in the '40s setting. The ending, as she falls head-over-heels in love with her twin baby brothers and accepts Sam's wish to adopt her, further illustrates the theme of the first book: love is risky, but worth it. (Fiction. 8-11)
Pub Date: May 1, 1995
ISBN: 1-56402-474-1
Page Count: 75
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This standout novella lustrously portrays Ana Rosa and the rich simplicity of her family’s daily life in the Dominican Republic. The linked vignettes and elegant prose vitalize the merengue music, colorful houses, as well as the people’s poverty and the tyranny of the government. Each chapter begins with one of Ana Rosa’s lovely rhythmic verses. A poet and writer at age 12, she steals bits of paper to record everything she sees, hears, and imagines. Ana Rosa’s family is very close by necessity, but it is her beloved brother Guario who has the job that supports them. As the novella proceeds, dark shadows begin to slink through the gentle days. We learn that Ana Rosa’s father drinks too much rum and Coke, especially on Sundays, when he becomes a lurching spectacle. Then an official informs the villagers that to build a hotel, the government has sold the land on which their families have lived for generations. The villagers band together, Ana Rosa writes an article, and her brother Guario becomes their passionate leader. But when the day of the standoff arrives, the villager’s words and rocks are nothing against the guardia’s guns and bulldozers. The heartbreaking result is Guario’s death. Without diluting the sorrow, Joseph (Fly, Bessie, Fly, 1998, etc.) illustrates the good arising from the tragedy as the government cancels the hotel project and Ana Rosa begins writing the life of her brother. This is an achingly beautiful story that will awaken profound emotions in the reader. (author’s note) (Fiction. 8-11)
Pub Date: Aug. 31, 2000
ISBN: 0-06-028232-0
Page Count: 144
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2000
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