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WHO COUNTS?

100 SHEEP, 10 COINS, AND 2 SONS

An unusual and creative interpretation of the three parables, offering the satisfying conclusion that each person (or sheep...

Three parables of Jesus from the Christian Bible are retold with modern-day settings and characters.

Levine (Jewish Studies/Vanderbilt) and Sasso, a rabbi, use diverse settings and a multicultural cast of characters to recount the parables of the lost sheep, the lost coin, and the prodigal son. “One Hundred Sheep” is set on a contemporary ranch with a bearded, white shepherd in plaid flannel shirt, jeans, and cowboy boots. He notices when just one of his flock goes missing and searches until he finds her. “Ten Coins” is the story of a brown-skinned woman with dark, curly hair who temporarily misplaces one of her silver coins, identified in the text as drachmas, although that term is not further defined. “Two Sons,” the longest story in the collection, recounts the story of a father’s relationship with his two adult sons. The father and sons have light-brown skin and dark, curly hair. Each story ends with a celebration including neighbors and friends of different ethnicities. The confident, cheery tone of the text is well-matched with appealing illustrations that effectively convey the emotions of the characters. The large trim size makes this an excellent choice for reading to a group, and no prior knowledge of the specific Bible stories is necessary for comprehension. A thoughtful authors’ note to parents and teachers offers interpretation of the three parables, discussion suggestions, and source references for the biblical texts.

An unusual and creative interpretation of the three parables, offering the satisfying conclusion that each person (or sheep or coin) matters and should be counted. (Picture book/religion. 5-8)

Pub Date: May 5, 2017

ISBN: 978-0-664-26274-7

Page Count: 40

Publisher: Westminster John Knox Press

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 1, 2017

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A BIKE LIKE SERGIO'S

Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...

Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.

This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.

Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)

Pub Date: Oct. 4, 2016

ISBN: 978-0-7636-6649-1

Page Count: 40

Publisher: Candlewick

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

Awards & Accolades

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  • New York Times Bestseller


  • Caldecott Honor Book

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THEY ALL SAW A CAT

A solo debut for Wenzel showcasing both technical chops and a philosophical bent.

Awards & Accolades

Our Verdict

  • Our Verdict
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  • New York Times Bestseller


  • Caldecott Honor Book

Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?

The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.

A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4521-5013-0

Page Count: 44

Publisher: Chronicle Books

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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